Ancient history and mythology have always been favorite topics for me. Recently, I found an interesting article on newly discovered sections of ancient Mesopotamian poem, The Epic of Gilgamesh, detailing the legendary feats of a historical king. The Epic of Gilgamesh was inscribed on cuneiform tablets which continue to baffle scholars as to the purpose of why these clay tablets are so small.I was interested in the mythology behind the zodiac, the legends behind creation of constellations rather than modern interpretations of astrology and divination. The constellation we know as Taurus, existed in the ancient Mesopotamian cultures and was also represented and embodied by a bull. In The Epic of Gilgamesh, the formation of the constellation the ancient Greeks later called Taurus, is described as a battle between the hero Gilgamesh and the Bull of Heaven, a destructive bull sent to avenge the goddess Ishtar after the wrongs committed by Gilgamesh. I wrote a speculative fiction story in a contemporary setting incorporating the Bull of Heaven based on Ishtar’s vengeance against Gilgamesh. I have added the destructive environmental effects caused by the Bull of Heaven and alluded to in The Epic of Gilgamesh.
I have always been inspired and drawn to the very dark Gothic-style horror of the Victorian era, where classic works like Frankenstein, Dracula and The Turn of the Screw combine with the dark tales by Edgar Allan Poe and H.P Lovecraft influencing generations of horror writers. To those classic works, I often include the eerie descriptions of landscape and physical surroundings from Victorian era poets like Samuel Taylor Coleridge, William Blake and William Butler Yeats which evoke supernatural atmospheres based on physical surrounding as much as characters.
From similar thematic foundations, I wanted to write a modern horror story about hauntings, where the surroundings were as much a haunting as the ghost itself. I was interested in a manifested haunting, a demonic shadowy being, feeding on the vulnerable, where an increase in societal despair, drug addiction, homelessness and suicides are the traces of the demon’s presence. I was interested in using a contemporary Australian setting, choosing the wintry city streets of Melbourne and a ghost caught in “limbo” between the veil of life and death.