events, Short Fiction, Writing

Wrath Anthology Release


I am pleased to announce that the speculative fiction anthology Wrath (Seven Deadly Sins, #7) published by Black Hare Press was released on 30th April, 2021. The final instalment in the themed series based on the Seven Deadly Sins, short stories featuring in Wrath are all based on “Wrath: Manifested in the individual who spurns love and opts instead for fury.”

My short story “Them” explores the theme of Wrath in a dark fiction, delving into aspects of psychopathy and demonology. You can about my research for the story here.

If you would like to purchase ebook, paperback or hardback copies of Wrath (The Seven Deadly Sins, #7), more details can be found here.

reads, Recent Reads

Rosemary and Rue

Publisher’s Description:

The world of Faerie never disappeared; it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born.

Outsiders from birth, these half-human, half-fae children spend their lives fighting for the respect of their immortal relations. Or, in the case of October “Toby” Daye, rejecting it completely. After getting burned by both sides of her heritage, Toby has denied the fae world, retreating into a “normal” life. Unfortunately for her, Faerie has other ideas…

The murder of Countess Evening Winterrose, one of the secret regents of the San Francisco Bay Area, pulls Toby back into the fae world. Unable to resist Evening’s dying curse, Toby must resume her former position as knight errant to the Duke of Shadowed Hills and begin renewing old alliances that may prove her only hope of solving the mystery…before the curse catches up with her.


My Review:

I recently read Rosemary and Rue by US author Seanan McGuire, the first instalment in the October Daye urban fantasy series.

The protagonist, October Daye, is a private detective and also a Changeling, the daughter of a high Fae and mortal man. October, also known as Toby, considers herself happily married, has a young daughter and has so-far, kept both her husband and daughter from knowing she is not as mortal as she seems. But Toby is also a knight in a Fae court and, when her liege-lord requests her aid to recover his kidnapped wife and young daughter, she is duty-bound to obey. While on a stake-out, Toby follows her prime suspect, one of the most powerful of the Fae lords but is caught. In punishment, Toby is transformed into a koi and, unbeknown to anyone except the Fae lord who cursed her, is left in a fish pond.

After seven years, the curse breaks and Toby is returned to her human-like form. As her mortal husband never knew she was a Changeling nor the Fae worlds she inhabited, Toby’s sudden reappearance after her presumed death and inability to explain her whereabouts, sees her marriage dissolve and her now-teenage daughter no longer a trusting child. Estranged from her family, Toby begins her life anew, ignoring the Fae worlds, her Changeling roots and trying to eek out a menial existence in San Francisco.

But when Toby’s friend Evening, one of the high Fae, requests in her dying moments that Toby solve her murder, Toby finds herself drawn back into Fae intrigue, politics and power-plays. For Toby, the price of failure is her own death as Evening cursed her in those dying moments, compelling her to uncover Evening’s murderer.

Finding herself without much help to uncover Evening’s murderers, Toby is forced to make unlikely allies with other changelings she had long left behind, a deadly bargain with the Caith-Sidhe, the court of cat lords, and indebting herself to her Liege-Lord again. Soon, Toby uncovers the real reason Evening was murdered, a powerful and deadly secret.

Final Thoughts:

Rosemary and Rue is an intriguing beginning to an urban fantasy series that relies strongly on Irish folklore and, with this solid foundation of lore, provides a detailed world-building and fascinating characters.

My Conclusion?

A great read for anyone who enjoys urban fantasy, Irish folklore, provoking characters and solid world-building. Highly recommended!

events, Short Fiction, Writing

Death House Anthology Release


I am pleased to announce the release of horror anthology Death House published by Raven & Drake Publishing on 20 April , 2021. The anthology is inspired by the haunted houses theme, featuring my dark microfiction “Agnes House” inspired by true crime, horror elements and psychopathy.

If you are interested in purchasing a paperback, limited edition hardback or ebook copy of Death House, more details can be found here.

Short Fiction, Writing

Forthcoming: Haunted House Anthology


Haunted houses are one of my favourite horror themes and I’m very excited to feature in the forthcoming Death House anthology from Raven & Drake Publishing. Death House is an anthology combining short stories and microfiction. My drabble “Agnes House” is inspired true and fictional crimes, a dark fiction tale where the supernatural is horrifyingly human.

Stay tuned for more details on how to purchase a copy of Death House coming soon!

Short Fiction, Writing

Dark Fantasy Assassins


There’s any number of great epic dark fantasy books and series that explore the darker nature of humanity from the point of mercenaries, assassins and anti-heroes.

I decided to delve into some of that inspiration and an anti-hero protagonist in a flash fiction story. What motivates characters to choose a darker path? Does the morally ambiguous road they follow trouble their conscience?

The result was an interesting character with a psyche primed to survive, whatever the cost. A “riches-to-rags” story in the underbelly of a fantasy metropolis where the only ones imagining a hero are dependent on an anti-hero to survive. “The Hero of Silversmiths” will feature in the Avenge (Five Hundred Fiction, #2) Anthology, coming soon in 2021.

Recent Reads

The Crossing Places

From the Blurb:

“Dr Ruth Galloway is called in when a child’s bones are discovered near the site of a prehistoric henge on the north Norfolk salt marshes. Are they the remains of a local girl who disappeared ten years earlier – or are the bones much older?

DCI Harry Nelson refuses to give up the hunt for the missing girl. Since she vanished, someone has been sending him bizarre anonymous notes about ritual sacrifice, quoting Shakespeare and the Bible. He knows that Ruth’s expertise and experience could help him finally to put this case to rest. But when a second child goes missing, Ruth finds herself in danger from a killer who knows she’s getting ever closer to the truth…”

My Review:

The Crossing Places (Dr Ruth Galloway Mysteries, #1) by UK author Elly Griffiths is a crime thriller with a considerable difference. The protagonist is slightly awkward, overweight, nearing middle-aged female forensic archaeologist, Dr Ruth Galloway who’s primary role is teaching and researching in Archaeology in the new university of North Norfolk, United Kingdom. The discovery of a body ritually displayed on the remote salt marshes near where Ruth lives soon brings local police detective Harry Nelson into Ruth’s sphere of work and life and his desperate search for the body of a child missing ten years, the case he cannot forget nor forgive himself for not solving.

The following events involve a series of archaeological investigations into the ritualised burial and likely sacrifice of the young girl whose remains Ruth discovers are not recent but from an Iron Age civilisation that built hedge sites and other ritual structures in the North Norfolk area during the Iron Age. For detective Harry Nelson, Ruth’s academic excitement in the Iron Age burial only saddens and frustrates him in the callousness of human nature, that centuries before, young girls were being ritually killed on the salt marshes. It seems Ruth and Harry have little in common except an interest to discover the fate of the respective young girls, one more recent, another from the Iron Age. But events quickly escalate with the new discovery of the Iron Age burial linking to a series of antagonistic letters detective Nelson has received over the ten years from the suspected killer, which now begin again in earnest along with another child abduction. When another child burial is found, Harry Nelson recruits Ruth to excavate and to provide her expertise on ritual sacrifices and Iron Age culture near the salt marshes. It is the beginning of a partnership and a case that focuses on the importance of the ‘crossing places’ to Iron Age belief systems, the role of landscapes which are neither shore nor sea, sky nor land.

Final Thoughts:

The Crossing Places was an enjoyable crime mystery, the combination of unlikely but personable characters, the depth of research into archaeological techniques and academic institutions gave the plot a sense of reality. The detailed research into Iron Age belief systems of ‘crossing places’, the importance of these liminal landscapes within our natural landscapes of land and sea contributed to a fascinating read.

My Conclusion?

A highly-recommended read for anyone who enjoys ancient history, crime or mystery, quirky and complex characters and archaeology.

Recent Reads

Ivory’s Story

From the Blurb:

“Long ago, a good man transgressed and was brutally punished, his physical form killed and his soul split asunder. Now, one half of his ancient soul seeks to reunite with its lost twin, a search that leaves murder in its wake…
In the streets of modern day Sydney a killer stalks the night, slaughtering innocents, leaving bodies mutilated. The victims seem unconnected, yet Investigating Officer Ivory Tembo is convinced the killings are anything but random. The case soon leads Ivory into places she never imagined. In order to stop the killings and save the life of the man she loves, she must reach deep into her past, uncover secrets of her heritage, break a demon’s curse, and somehow unify two worlds.”

My Review:

I recently read Ivory’s Story by African-Australian author Eugen Bacon after readings several reviews and the description roused my interest in this unique speculative fiction novella set in Australia.

The protagonist of Ivory’s Story is female detective Ivory Tembo who has the unhappy task leading the failing investigation into a series of grisly murders of high-profile men in sexually explicit ways in Sydney, Australia. Raised as an orphan and without knolwedge of her family, Ivory has only the unusual opal amulet from her mother to link her to true heritage. Determined to solve the killings and discover her identity, Ivory is directed to a seer at Orange Crater in the northern-central Australia.

The long travel to Orange Crater, Ivory finds her mother also visited but finds no trace of any other family ties only a strong affiliation with a cranky medicine woman. Under the guidance of this medicine woman, Ivory learns how to defeat and stop the murders and the reasons behind the gruesome killings. The medicine woman explains a past tragedy involved an exiled son of a medicine man. This son harboured a rare gift of twin-souls but when accused of stealing a Chieftain’s daughter, his execution does not kill him but does separate his souls, causing one to remain forever within his body, the other to always seek to return. For Ivory, she must re-unite the twin souls after centuries and dimensional planes apart if she is to save the man she loves and stop the killings.

Final Thoughts:

A combination of beautifully written prose and vivid descriptions of the Australian and inter-dimensional landscapes, Ivory’s Story also features a cast of well-defined characters and refreshingly strong female characters. Although, there are sections of the novella that seem to drift from the central focus of the story and can detract from its purpose, leaving me wanting more about Ivory’s detective work and development as a seer, the strong weird fiction themes do not make this feel like a true flaw, more like a necessary element of the weird fiction style.

My Conclusion?

Ivory’s Story is recommended for its beautiful prose and strong female characters. Readers will be certain to enjoy a cultural odyssey for those familiar and new to both the weird and speculative fiction genres.

Short Fiction

Forthcoming: Horror Anthology

Pleased to announce my next psychological horror short story “The Monster” will feature in Gluttony (Seven Deadly Sins, #6) to be published in 2021 by Black Hare Press! All short fiction in the anthology is inspired by the theme of gluttony “an inordinate desire to consume more than that which one requires.”

Gluttony (Seven Deadly Sins, #6)

My horror story “The Monster”, inspired by wendigo folklore of the northern Algonquin First Nations of North America and Canada combines elements of the culturally specific ‘wendigo psychosis’ during an alpine hiking expedition. A case of a violent mind unravelling or monstrous possession? You can learn more about my research writing “The Monster” here.

Release dates and how to purchase a copy of the Gluttony (Seven Deadly Sins, #6) will be updated when available. Keep an eye out for the release of Greed (Seven Deadly Sins, #5) and Wrath (Seven Deadly Sins, #7) anthologies.

Short Fiction

The Wendigo & Dark Fiction

Another of my recent work-in-progress short fiction pieces, has been a dark fiction story inspired by wendigo psychosis an unusual form of ‘cultural psychosis’ specific to First Nations peoples of Canadian-North American Great Lakes regions where belief in a supernatural being, the wendigo, provides a unique cultural framework for a psychosis. This psychosis has specific disease symptoms which like the cultural belief – is unique – and found nowhere else in the world.

What is a wendigo then? It is a legendary being originating from northern Algonquian First Nations oral folktales and legends (recently popularised in supernatural fiction and movies), described in varying ways but, almost always, as a ravenous cannibalistic monster with an insatiable hunger. Historically, the First Nations peoples including the Algonquian, Cree and Ojibwa attributed wendigo possession to those driven mad in the harsh winter months of isolation and deprivation who resorted to cannibalism, often without a famine present.

In this short story, I was interested to take wendigo folklore and wendigo psychosis deliberately outside its necessary cultural context to explore the shadowy boundary between reality and insanity, and the inherent horror of uncertainty: a human monster or monstrous possession? This story was written through a single character’s point of view, exploring the darker, unintentional psychological motivations of a declining mental state and attempts to rationalise violent, aberrant behaviour.

Short Fiction

Forthcoming: Horror Anthology

I am pleased to announce my horror story “Them” will feature in Wrath (Seven Deadly Sins, #7) Anthology published by Black Hare Press. As with other stories in this anthology, Wrath is the common theme. My short story “Them” is a psychological horror, inspired by history of criminal theory and demonic possession where aberrant psychology in past eras has been attributed to demons manipulating humans toward violent behaviour. If you want to know more about the inspiration and research behind the story, you can do so here.

Release dates and how to purchase a copy of the Wrath (Seven Deadly Sins, #7) will be updated when available. Keep an eye out for the release of the Greed (Seven Deadly Sins, #5) Anthology featuring my dark fantasy story.