Pleased to announce my flash fiction story “The Bones of a Dead God” will feature in Bones (Five Hundred Fiction, #4) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by dark pagan themes. My story “The Bones of a Dead God” is inspired by Aztec ritual and legends.
I recently finished a novella inspired from my initial research for my latest novel draft Ragnarok Dreaming into Norse mythology and Australian Aboriginal legends. On the surface, there might seem little in common between the Viking legends and those of the oldest continuous culture on the planet. The purpose of the novella was not to re-tell any stories or legends, because these are not my ancestry nor mine to tell, instead, I wanted to explore the common elements shared between them. The themes that unite all humanity across time and place. In this, I was drawn as I often am, to the fascinating Trickster figures in legends and stories throughout the world. In Norse mythology, Loki is the Trickster figure and protagonist of the novella relocated into a cosmos inspired by Australian dreaming stories. The Trickster figure who aids Loki is Wahn, the Crow in many Aboriginal legends. The novella was a re-imagining of the parallels and opposites in legends and myth, expanding on what was interesting research for Ragnarok Dreaming.
The YA supernatural mystery, Catching Teller Crow by Ambelin and Ezekiel Kwaymullina, explores Australian history, indigenous legends and cultural understanding through the characters of three young Aboriginal women.Catching Teller Crow follows Beth Teller, a recently deceased Aboriginal girl who has remained as a ghost, trying to stop the grief consuming her father by urging him to continue his work as a detective. Only seen by her father, Beth convinces him to investigate a recent fire and subsequent murders in a small, rural town in the Australian outback.Early in the investigation into a fire and murder at a children’s home, Beth meets Isobel Catching, a young Aboriginal woman found wandering in the wilderness after the fire. But Catching can also see Beth and soon the mysterious connection between Catching and the children’s home take a dark twist as Catching recounts her strange tale of survival and escape from another dimension inhabited by beings from Australian legend. To endure and survive the strange events, Catching relies on Crow, a shape-shifting young Aboriginal woman. Through hearing Catching’s tale and solving the mystery at the heart of the town, Beth finds the closure she needs to move onto the spirit world and Beth’s father gains the strength he needs to continue living in a world without his daughter.Catching Teller Crow is a magnificent novel combining history, sorrow, hope and culture to craft a unique mystery and ghost story for modern Australia. Highly recommended!
Namarrgon is an indigenous Australian creation ancestor, a powerful spirit of the Arnhem Land plateau in the Kakadu region responsible for violent monsoon storms of Northern Australia. In the indigenous stories of Namarrgon, violent lightning and thunder storms each tropical summer are associated with the axes he throws, splitting the clouds to cause thunder and lightning as the axes strike the ground.
” All things in the landscape were left by the creation ancestors. They taught Aboriginal people how to live with the land. From then on Aboriginal people became keepers of their country. “
– Warradjan Aboriginal Cultural Centre
Namarrgon resides in the sandstone cliffs of the Arnhem Land plateau but the Creation story tells his travel inland, moving from the coastline toward the sandstone cliffs where he leaves an eye on the escarpment, ever gazing eastward where he waits for the summer storm season. The summer monsoon lightning storms are preceded by vast numbers of Leichhardt’s Grasshoppers, called the alyurr in the indigenous languages, representing Namarrgon’s children. While feasting on the pityrodia plants, the alyurr call to Namarrgon who responds with the lightning and thunder storms of the coming monsoon.
The platypus is an iconic Australian native semi-aquatic, burrowing, egg-laying mammal (monotreme) with an unusual soft-bill, webbed feet and a thick “beaver-like” tail covered in a soft fur pelt. An indigenous Australian legend details the origins of these eclectic physical features according to indigenous cultural heritage. The indigenous Australian legend retold in Aboriginal Stories by A.W. Reed, recounts the legend of shared ancient kinship between the groups of the ancestral indigenous Peoples before they possessed human form.
The legend of Platypus details an argument between the Lizards, Birds and Animals, the totemic ancestors of the indigenous Peoples. The Lizards, Birds and Animals argued over who was more ancient, more powerful and rightfully belonged in the waterhole. The culmination of the debate is the Lizards decide to take the waterhole. The Frilled Lizards use their powers to call a storm, flooding the landscape. While the Birds could fly away and larger Animals flee from the flood waters, the Platypus became trapped and drowned. After the flood and much later, the Lizards, Birds and Animals gather again and realise the few numbers of once-plentiful platypus. One of the Lizards, the carpet snake recounts the sighting of an old platypus living far away. Finally, the old Platypus travels to meet with the Peoples and he tells them of his heritage. The Platypus explains he is the most ancient of the Peoples, related to the first group, the Lizards sharing a semi-aquatic lifestyle but he also shares kinship with the egg-laying Birds, but Platypus also has a fur pelt, claiming kinship with the Animals. The legend of Platypus details the shared kinship between the different and most ancestral Totemic groups from which the later human-form ancestors claimed heritage.