Short Fiction, stories

Forthcoming: Gothic Legends Anthology

I am pleased to announce my short story “The Dark Horseman” will feature in forthcoming horror anthology Legends of Night to be published by Black Ink Fiction.

You can read more about the research behind the legend, folklore and history of the Dullahan, or the Irish headless horseman, here.

More details on preorder links, and how to purchase copies of Legends of Night coming soon!

research, Short Fiction, stories

The Irish Headless Horseman

I have always been fascinated by the folklore of the headless horseman. I first became aware of this harbinger of death in the famous story by Washington Irving The Legend of Sleepy Hollow set in rural region in the state of New York. But the Irish legend of the Dullahan (“dark man”), the headless horseman is a harbinger of death. In the legend of the Dullahan, he carries a moldy severed head under his arm, taking a blood sacrifice (and the head) of his intended victim. According to folklore of the Dullahan, he only speaks once during his furious ride through village and field, and those words are only for his victim, the sacrifice.

The connection between the headless horseman and sacrifice is related to Celtic mythology and the ancient god, Crom Dubh, a fertility god to whom blood sacrifices were made. In county Cavan, the Killycluggin stone is believed to be an ancient representation of Crom Dubh, and like the Dullahan of legend travelling the roads, the large carved stone was found on a main road close to a nearby Bronze Age stone circle.

I was inspired by the Dullahan, this embodiment of Crom Dubh, and in writing a short story, I’ve incorporated these elements of folklore, legend, archaeology and mythology to weave a new tale of this infamous headless horseman.

Short Fiction, stories

Reimagining Arabian Nights

One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.

In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.

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In Solitude’s Shadow

Publisher’s Description

“An army is at the gates of Haltveldt, a nation built on war, and nothing is as it seems.

Calene Alpenwood, a powerful warrior-mage gifted with the Spark, makes a shocking discovery that sets into motion events that put her at odds with the very masters she serves. Reuniting with her mother Zanna, a woman banished after a terrible crime, they team up with unlikely alias as they attempt to save the fortress of Solitude from destruction.

One thing’s for certain; ruin approaches if Solitude falls and life will never be the same when The Banished return.”


My Review:

I recently read In Solitude’s Shadow (Empire of Ruin, #1), the first fantasy novella by UK author David Green. I received an advanced reader copy in return for an honest review.

In Solitude’s Shadow follows four main characters in a kingdom divided by war and class, where the race of elves are treated as a lesser race of beings by the ruling and more numerous human lords. In this culturally hostile kingdom, the dwindling numbers of Sparkers, warriors and philosophers with a telepathic link among other talents, hold the mountain fortress of Solitude. Beyond the fortress of Solitude, the growing armies and numbers of the Banished bids their time to attack when human and eleven armies are at their most divided.

My Thoughts:

The premise of In Solitude’s Shadow is a tradition fantasy backdrop of a land at war, a disunited army that is fighting among itself, and a common enemy with the potential to threaten both. The threat of the Banished, returning from beyond the mountain fortress of Solitude may sound familiar. There are strong similarities with the basic premise of A Game of Thrones, itself based on older historical sags which provides strong-foundations. In Solitude’s Shadow, the limitations of a novella are more pronounced, where four main characters in the story arc and world-building can result in “info-dump” tactics at times rather than being incorporated into the storytelling which can feel overwhelming in the novella format.

Conclusion:

In Solitude’s Shadow is an ambitious novella, and the fantasy series promises to be just as ambitious. Recommended for those seeking traditional fantasy in a short-read novella format.

Short Fiction, Writing

Reimagining Red Riding Hood


Recently I have been exploring the concepts behind the Red Riding Hood fairytale. There are two main versions I have used as inspiration for writing a new short story. The version by Charles Perrault called “Little Red Riding Hood” and the version by Jacob and Wilhelm Grimm called “Little Red Cap”. Both examine a young girl who is travelling through the woods and meets a charming stranger who tries to lead her astray. Both versions also share a dark undertone, the stranger portrayed as menacing despite his charming words.

When writing my short story, I wanted to delve into the concept of the forest as a dangerous place, sinister and treacherous for those uninitiated. In my recent reimagining of the red riding hood tale, I’ve included the concept of an unwary youth and the historical setting of pre-Napoleonic France. I’ve included some more modern interpretations like the werewolf folklore of the French “loup-garou” and explored sensitives around homosexuality, the sheltered son of a Marquis seduced by an eloquent nobleman. Here, the passage between innocence and experience of the adult world is represented by the transference of the werewolf curse. This was a complex story to write, delving some darker elements, both historical and modern sensitivities of seduction, society and acceptance of LGBTQI individuals throughout history and still today.

events, Short Fiction, Writing

Over the Rainbow Anthology Release

I am pleased to announce Over the Rainbow: An LGBTQ+ Fairytale Charity Anthology published by Black Ink Fiction was released on 1 June, 2021.

Over the Rainbow anthology is in support of The Trevor Project, a collection of fairytale retellings with a LGBTQI+ protagonist, featuring my story “The Queen of Crows”, a retelling of a French Gascony fairytale. You can read more about my research for the story here.

More details on how to purchase an ebook, or paperback copies of Over the Rainbow can be found here.

Long Fiction, Writing

Reimagining Trickster lore & legend


My current work-in-progress novella explores trickster lores and legends in two different cultures, Old Icelandic and Australian First Nations.

I have a keen interest in Tricksters, and in this novella, I have been exploring two Trickster figures from very different cultural backgrounds: Loki from Old Norse legend and Crow, present in many Australian First Nations cultures.

The focus of the novella is on Loki his customary role of physical transformation which is also shared with Crow and, incidentally, many other Trickster figures like Coyote and Raven from North American First Nations among others.

This work-in-progress is not a retelling of any specific legends but is a reimagining inspired by the lore and legends surrounding the Trickster figures of Crow and Loki.

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All the Murmuring Bones


Publisher’s Description

“Long ago Miren O’Malley’s family prospered due to a deal struck with the mer: safety for their ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and have fallen into decline. Miren’s grandmother is determined to restore their glory, even at the price of Miren’s freedom.

A spellbinding tale of dark family secrets, magic and witches, and creatures of myth and the sea; of strong women and the men who seek to control them.”


Review

I recently read All the Murmuring Bones by Australian author A.G. Slatter (Angela Slatter), a gothic folklore novel set in the historical fantasy world, akin to Ireland.

The protagonist is Miren O’Malley, raised by her grandmother Aoife O’Malley after being orphaned by her mother, Isolde O’Malley. Miren has lived her entire life at Hobb’s Hallow, the ancestral house of the O’Malleys, a prominent family, who have a traditionally ruled the oceans as brigands and later merchants, the uncanny wealth gained by the O’Malleys tied to legends of a bargain struck with the Mer, one that has lasted generations but required a female O’Malley to bear the name and offer one child to the sea every generation. However, with the waning of ‘pure blood’ O’Malleys, Miren is now the last bearing the O’Malley name.

After the death of her husband, Aoife O’Malley makes plans to marry Miren to her cousin, and strengthen the O’Malley bloodline and, through Aidan Fitzpatrick’s wealth and ambition, restore the once-prosperous O’Malleys.

But Miren O’Malley is independent and ha no desire to marry Aidan Fitzpatrick, a cruel man determined to restore the tradition of one O’Malley child given in sacrifice to the Mer. Miren learns her mother Isolde never died as she was told by her grandmother, and to avoid marrying Aidan and to find her mother at last, Miren embarks on a journey to the mysterious estate of Blackwater, where the last of the letters from her mother mentioned she was living.

Final Thoughts

All the Murmuring Bones is a wonderful gothic folklore story, weaving the legends of the dark and foreboding water sprites, beings like the the Mer, kelpies and rusalky maidens, which are not the kind beings from Disney movies, but cruel and calculating beings. Beneath the layers of folklore and story, there is a stronger theme of independence, knowing oneself and the power of love, in the context of a historical fantasy world, where love based on need, the supply of stability, sustenance and livelihood versus the power of love based on want, the desire to be with someone irrespective of need. Against the backdrop of the O’Malley tradition and sacrifices to the Mer to retain prosperity, the need to fulfil a bargain, there are many threads to All the Murmuring Bones that make it a complex tapestry of a novel.

Conclusion

All the Murmuring Bones is a great read for fans of gothic folklore, legends of mermaids, kelpies or or water beings, fans of Angela Slatter’s Sourdough tales and those who enjoy a heartfelt historical fantasy. Highly recommended, an absolute must-read!

research, Short Fiction, Writing

Gothic Folklore of the Shipwreck Coast

In a recent story, I explored one of the worst shipwrecks that occurred off south-eastern Australia, a notorious stretch of coast known as the “shipwreck coast”. I have been fascinated by the history behind a treacherous, narrow bay, the Loch Ard Gorge named after the 1878 shipwreck of the Loch Ard merchant ship, one of the Australia’s deadliest shipwrecks, where only two survived from the 54 on board.

Loch Ard Gorge is located near Cape Otway on the south-eastern Australian coastline where the infamous southern Ocean has eroded the sandstone coastline creating many the natural rock formations including the ‘twelve apostles’ along the Great Australian Bight. This region is prone to storms and pounding surf from the Antarctic, and rich marine ecosystems of great white sharks, seals, whales, dolphins and many species of fish and other marine life. This thriving region is also home to more than two hundred shipwrecks during Australia’s colonial history, a short span of time compared to the sixty thousand years of indigenous occupation.

In writing my own fictionalised account of this historic event, I imagined a third survivor, one who fled England for Melbourne undetected, a damned soul for who must eventually pay their due. I was inspired and fascinated by the gothic folklore of the sea, damned sea voyages encapsulated in Samuel Taylor Coleridge’s epic poem The Rime of the Ancient Mariner, and Homer’s The Odyssey among others.

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The Witch’s Heart

Publisher’s Description:

Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.

With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.


My Review:

I recently read The Witch’s Heart by US author Genevieve Gornichec, a reimagining of Norse mythology from the perspective of the witch Angraboda.

Angraboda is the name chosen by the witch Gullveig after she is burned three times and pierced through the heart with a spear after meeting with Odin, leader of the Aesir gods. Angraboda refuses to teach Odin sedir, the prophetic form of magic and in retaliation, Odin burns her three times from which she returns to life each time.

After fleeing the Aesir and taking refuge in the Iron Wood, Angraboda has only shadowy memory of her life as Gullveig and names herself Angraboda “the bringer of sorrow” in place of her previous name. She is soon visited by the Trickster Loki, who is also Odin’s brother (by bond but not by blood). Loki recovers Angraboda’s heart and enjoys her company. Keeping their friendship a secret from the gods and giants, it soon becomes much more. Although Loki asks Angraboda to be his wife, their relationship must stay a secret for Loki is later married to an Aesir goddess Sigyn, further binding him to Odin and the Aesir gods.

It is the three children from Angraboda and Loki’s union that proves to be the catalyst for their relationship and for the future of the Nine Worlds. Angraboda has three children with Loki, each more monstrous than the first. Their half-dead daughter Hel, son Frenrir in wolf form and Jorumungand, a sea serpent. But it is not just the strange children born from the union of two unusually powerful giants that causes Odin concern, but the prophecy Angraboda has of her children destroying the Aesir gods and bringing about the end of the Nine Worlds.

Odin desires the knowledge of Angraboda’s prophecy concerning the fate of the Nine Worlds in a hope to prevent the outcome and save himself and his children. Odin’s desire comes at the price of Loki’s freedom and Angraboda’s children who the Aesir cannot allow to fulfil their role in the end of the Nine Worlds, the great battle Ragnarok. So begins Angraboda’s struggle to preserve her family, shield them from the Aesir and survive the bitterest of betrayals. In the end, Angraboda must choose whether she wants vengeance against Odin and the Aesir, or whether she can save at least one of her children.

Final Thoughts:

The Witch’s Heart is a wonderful reimagining of the Norse myths from the perspective of one of the least well-known figures, the witch Angraboda. In many of the myths, Angraboda is mentioned only in passing as the wife of Loki and mother of the giant wolf Fenrir, guardian of the dead, Hel, and the giant serpent, Jorumangand. The mother of three monsters who are prophesied to kill the gods, Angraboda is a mysterious figure, a witch who dwells in the Iron Wood. The Witch’s Heart also examines another female figure in Norse mythology, the witch Gullveig who Odin and the Aesir burn three times and pierce her heart with a spear when she refuses to submit to Odin. A clever story that combines two important and mysterious figures in Norse mythology, Gullveig and Angraboda, giving substance to both in Gornichec’s reimagined Angraboda.

My Conclusion:

A highly recommended read for those who enjoyed the reimagining of the half-Titan witch Circe by Madeline Miller, those who enjoy stories with strong female protagonists or for readers who want a fresh reimagining of Norse mythology.