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Corpselight

From the Blurb:

Life in Brisbane is never simple for those who walk between the worlds.

Verity’s all about protecting her city, but right now that’s mostly running surveillance and handling the less exciting cases for the Weyrd Council – after all, it’s hard to chase the bad guys through the streets of Brisbane when you’re really, really pregnant.

An insurance investigation sounds pretty harmless, even if it is for ‘Unusual Happenstance’. That’s not usually a clause Normals use – it covers all-purpose hauntings, angry genii loci, ectoplasmic home invasion, demonic possession, that sort of thing – but Susan Beckett’s claimed three times in three months. Her house keeps getting inundated with mud, but she’s still insisting she doesn’t need or want help . . . until the dry-land drownings begin.

V’s first lead in takes her to Chinatown, where she is confronted by kitsune assassins. But when she suddenly goes into labour, it’s clear the fox spirits are not going to be helpful.

Review:

Corpselight is the second volume in the Verity Fassbinder series by Australian author Angela Slatter. The urban fantasy sequel follows almost directly from the events in Vigil with just over six months seeing protagonist Verity Fassbinder in the later stages of her pregnancy at the beginning of Corpselight.

About to begin maternity leave and already on light duties, Verity finds herself on a case in her role as liaison between the Weyrd and Normal communities of Brisneyland (alternate world of Brisbane). A series of inexplicable and frightening dry-land drownings seem to be striking at random, Normal and Weyrd victims alike and somehow a Normal lawyer’s insurance for an ‘Unusual Happenstance’ clause usually only employed by the Weyrd has Verity’s attention. But the lawyer isn’t interested in solving her repeat magical invasions and random deaths from dry-land drownings keep mounting. Amid the turmoil are a trio of deadly fox assassins sent after Verity and the arrival of someone from her past long thought lost to her.

Verity struggles to discover who is employing magic to murder random strangers with a complex drowning spell and why. In a race to save the lives of strangers while protect her new baby daughter, Verity is forced to make greater sacrifices than she thought possible. Revelations about the series of murders drives Verity to face the complex ties between past and present and the lengths she would go to in order to protect those she loves.

Final Thoughts:

I really enjoyed the first instalment in the Verity Fassbinder series, Vigil was unique and offered such a fresh perspective on urban fantasy genre. I was pleasantly surprised to find Corpselight was just as strong. There was more to be discovered about the alternate Weyrd world of Brisneyland and the detailed foundations of folklore and history that the characters, setting and plot were based allowed expansion. Corpselight still offered the uniqueness of Vigil with the feeling I now had the most basic of understandings in how to navigate this new world.

Conclusion?

Corpselight is a must-read urban fantasy, great world-building, dark humour and strong folklore foundations. Highly recommended for fans of urban fantasy!

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Harrow the Ninth

From the Blurb:

“She answered the Emperor’s call.

She arrived with her arts, her wits, and her only friend.

In victory, her world has turned to ash.

After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?”

Review:

I admit to possessing a strong bias when I started reading Harrow the Ninth by New Zealand author Tamsyn Muir. I adored Gideon the Ninth, the first instalment in The Locked Tomb Trilogy and after such an extraordinary and unique beginning, I expected great things from Harrow the Ninth. I was not disappointed and the second instalment in The Locked Tomb Trilogy was surprising, complex and at times- perplexing. The highly-charged atmosphere of Gideon the Ninth could not be recreated and to avoid a pale replica, Harrow the Ninth makes its own impact.

Harrow the Ninth continues from events that concluded Gideon the Ninth. There are substantial time lapses, jumps both forward and backward as Harrowhark, the protagonist of this novel, battles the truth of her own madness and tries to master the powers of a lyctor before the Emperor Undying is hunted down by the vengeful ghosts of organisms, entire planets murdered during the first Resurrection. The reality for Harrowhark is that unreality is bleeding through into her daily existence and her teachers are either intent on her demise or indifferent about her survival. Harrowhark needs all of her wits and strength to survive the coming battle and as madness descends, she needs Gideon more than ever.

My Thoughts?

Harrow the Ninth is not a recreation of the concepts or style familiar in Gideon the Ninth. If looking for more of the same, it’s not found here. Instead, Harrow the Ninth is distinctly its own and refreshing for it.

Conclusions:

Highly recommended. Brilliant characters, complexity and world-building continuing The Locked Tomb Trilogy. A great read!

Short Stories, Writing

Forthcoming: Paranormal Anthology


I am thrilled to announce that my dark fantasy story “Hunting Shadows” will be included in Lockdown Phantom #3, a series of speculative fiction Anthologies from Black Hare Press produced during the COVID-19 Lockdown.

Stay tuned for more details on upcoming publication dates, where you can download ebook or purchase paperback copies!

Short Stories, stories

Chasing Storms of Sorrow


A little while ago I finished writing an paranormal/dark fantasy short story set in contemporary Melbourne, Australia. I was inspired by the changeable weather in Melbourne and fascinated by the strong winter storms that are drawn inland from the southern ocean. These storms can be very unpredictable and wild as the storm front meets the warm inland air between the coast and the Victorian Alps. This volatile weather causes many natural disasters and is associated with both life-given rains during a drought and lightning strikes beginning bushfires. Thunderstorms are an emotionally volatile situation for people waiting to see if blessing or curse results from the storm. I visited Melbourne during the winter months when storms were just as volatile and at a time when societal uncertainty was quite high. The unfamiliar city, social unease and wild weather was potent combination. The story focuses on a newly created ghost and her union with a mythic hound hunting the demonic force that took her own life. The storms are a peripheral landscape to the city itself while the hunt to rid Acedia (an early demonic personification for sorrow) from the city takes primary focus.

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Gideon the Ninth


I read Gideon the Ninth by New Zealand author Tamsyn Muir after hearing many great reviews for this magic-induced, science-fiction adventure.
Gideon the Ninth focuses on the central character of Gideon from the Ninth House, an orphan raised alongside the ruling heir, the extraordinary necromancer, Harrowhark Nonagesimus, Reverend Daughter of the Ninth House. Harrowhark is a powerful necromancer but like all those in the ruling Houses, the talent wield such magic has a physical cost. The necromancers are protected by their swordweilding cavaliers.
The Ninth House is the last of the great ruling Houses and when the Emperor Undying calls the representatives forth, Harrowhark Nonagesimus seizes the oppurtunjty to rescue her crumbling House, it’s future bleaker than the skeletons that keep the illusion of a prosperous House alive. But Harrowhark finds herself with a problem. The Ninth have no cavalier and the only swordsman capable of defending Harrowhark is the military trained Gideon. For her own part, Gideon has tried to escape the Ninth House countless times and being indebted to serve Harrowhark and protect her is less than appealing. In the end, to survive, both Harrowhark and Gideon must unite forces and mascquerade before the challenge the Emperor sets forth. The necromancer among the Nine Houses who succeeds and defeats the challenges put before them and their cavalier, becomes an immortal necromancer, capable of wielding the combined powers of necromancer and cavalier, able to stand alongside the Emperor in battle.
It is not unsurprising that Harrowhark and Gideon discover many secrets best left buried and learn the darkest truth about the Empire, each other and themselves. To succeed, both must work together and the uneasy alliance soon becomes a firmer friendship built on the decades in each other’s vicinity. The truth of Harrowhark’s true power remains unknown and the true parentage of Gideon is another mystery which will aid them both in the dangerous battles of wits and lies to outmanoeuvre the necromancers and cavaliers of the other Houses.
I throughly enjoyed the fast-pace of Gideon the Ninth and the witty, refreshing characters. The world-building is solid and intriguing. I can’t wait for the next instalment. A highly recommended read!

Short Stories, stories

Haunting, Horror & Shadows

I have always been inspired and drawn to the very dark Gothic-style horror of the Victorian era, where classic works like Frankenstein, Dracula and The Turn of the Screw combine with the dark tales by Edgar Allan Poe and H.P Lovecraft influencing generations of horror writers. To those classic works, I often include the eerie descriptions of landscape and physical surroundings from Victorian era poets like Samuel Taylor Coleridge, William Blake and William Butler Yeats which evoke supernatural atmospheres based on physical surrounding as much as characters.
From similar thematic foundations, I wanted to write a modern horror story about hauntings, where the surroundings were as much a haunting as the ghost itself. I was interested in a manifested haunting, a demonic shadowy being, feeding on the vulnerable, where an increase in societal despair, drug addiction, homelessness and suicides are the traces of the demon’s presence. I was interested in using a contemporary Australian setting, choosing the wintry city streets of Melbourne and a ghost caught in “limbo” between the veil of life and death.