I am thrilled to announce that my dark fantasy story “Hunting Shadows” will be included in Lockdown Phantom #3, a series of speculative fiction Anthologies from Black Hare Press produced during the COVID-19 Lockdown.
Stay tuned for more details on upcoming publication dates, where you can download ebook or purchase paperback copies!
A little while ago I finished writing an paranormal/dark fantasy short story set in contemporary Melbourne, Australia. I was inspired by the changeable weather in Melbourne and fascinated by the strong winter storms that are drawn inland from the southern ocean. These storms can be very unpredictable and wild as the storm front meets the warm inland air between the coast and the Victorian Alps. This volatile weather causes many natural disasters and is associated with both life-given rains during a drought and lightning strikes beginning bushfires. Thunderstorms are an emotionally volatile situation for people waiting to see if blessing or curse results from the storm. I visited Melbourne during the winter months when storms were just as volatile and at a time when societal uncertainty was quite high. The unfamiliar city, social unease and wild weather was potent combination. The story focuses on a newly created ghost and her union with a mythic hound hunting the demonic force that took her own life. The storms are a peripheral landscape to the city itself while the hunt to rid Acedia (an early demonic personification for sorrow) from the city takes primary focus.
I read Gideon the Ninth by New Zealand author Tamsyn Muir after hearing many great reviews for this magic-induced, science-fiction adventure. Gideon the Ninth focuses on the central character of Gideon from the Ninth House, an orphan raised alongside the ruling heir, the extraordinary necromancer, Harrowhark Nonagesimus, Reverend Daughter of the Ninth House. Harrowhark is a powerful necromancer but like all those in the ruling Houses, the talent wield such magic has a physical cost. The necromancers are protected by their swordweilding cavaliers. The Ninth House is the last of the great ruling Houses and when the Emperor Undying calls the representatives forth, Harrowhark Nonagesimus seizes the oppurtunjty to rescue her crumbling House, it’s future bleaker than the skeletons that keep the illusion of a prosperous House alive. But Harrowhark finds herself with a problem. The Ninth have no cavalier and the only swordsman capable of defending Harrowhark is the military trained Gideon. For her own part, Gideon has tried to escape the Ninth House countless times and being indebted to serve Harrowhark and protect her is less than appealing. In the end, to survive, both Harrowhark and Gideon must unite forces and mascquerade before the challenge the Emperor sets forth. The necromancer among the Nine Houses who succeeds and defeats the challenges put before them and their cavalier, becomes an immortal necromancer, capable of wielding the combined powers of necromancer and cavalier, able to stand alongside the Emperor in battle. It is not unsurprising that Harrowhark and Gideon discover many secrets best left buried and learn the darkest truth about the Empire, each other and themselves. To succeed, both must work together and the uneasy alliance soon becomes a firmer friendship built on the decades in each other’s vicinity. The truth of Harrowhark’s true power remains unknown and the true parentage of Gideon is another mystery which will aid them both in the dangerous battles of wits and lies to outmanoeuvre the necromancers and cavaliers of the other Houses. I throughly enjoyed the fast-pace of Gideon the Ninth and the witty, refreshing characters. The world-building is solid and intriguing. I can’t wait for the next instalment. A highly recommended read!
I have always been inspired and drawn to the very dark Gothic-style horror of the Victorian era, where classic works like Frankenstein, Dracula and The Turn of the Screw combine with the dark tales by Edgar Allan Poe and H.P Lovecraft influencing generations of horror writers. To those classic works, I often include the eerie descriptions of landscape and physical surroundings from Victorian era poets like Samuel Taylor Coleridge, William Blake and William Butler Yeats which evoke supernatural atmospheres based on physical surrounding as much as characters. From similar thematic foundations, I wanted to write a modern horror story about hauntings, where the surroundings were as much a haunting as the ghost itself. I was interested in a manifested haunting, a demonic shadowy being, feeding on the vulnerable, where an increase in societal despair, drug addiction, homelessness and suicides are the traces of the demon’s presence. I was interested in using a contemporary Australian setting, choosing the wintry city streets of Melbourne and a ghost caught in “limbo” between the veil of life and death.