This dark speculative fiction anthology on the theme of greed, a desire for material wealth or gain, ignoring the realm of the spiritual. Featuring my short story “A Handful of Dead Leaves”, the darker truth of leprechaun lore and dealings with the Fae. You can also learn about my research into leprechaun folklore here.
I’ve become fascinated by the Gaslamp fantasy subgenre lately and decided to explore it a little further in another short fiction piece, this time set in an alternate Victorian-era Dublin. The Victorian era saw the expansion of the British Empire into more countries and with it, an expansion of the arts and sciences. Coinciding with the expanding interest and enlightenment of the literature and sciences, the pre-Raphaelites, the social movement of collected artists, poets and some writers inspired by a more utopian ideal that was a counterbalance to the more confining and conservative values of the Victorian era. The development of the Industrialisation and the increasing commercialism of many once-family or artisan craftsmanship was another opposing point to the pre-Raphaelite movement and desire to escape social oppression of the increasing Industrialised era. For the Sciences, the Victorian era saw an expansion of the natural and mathematical sciences which blossomed under the Enlightenment period, the challenging evolutionary theories of Darwin and the engineering developments famous under Industrialisation being just some of the social and intellectual expansions during the Victorian age. An interest in other cultures and histories also followed with the expanding British Empire bringing the cultures of the colonies into close contact with those of Britain. Archaeology became a strong interest with Ancient Egypt a particular fascination for the Victorians.
In the recent story, I have explored some of those pre-Raphaelite social movements and the Victorian conservative social values through an alternate Dublin, the social inequalities experienced by several LGBTQI characters. The Victorian interest in Ancient Egyptian archaeology and history (Egyptology) also coincided with the development of a considerable fraudulent artefact trade alongside a trade in the more genuine artefacts. Inspired by the popular ‘urban myth’ of 1922 and the curse of pharaoh Tutankhamen tomb, I incorporate the Ancient Egyptian goddess Serket, symbolised by a scorpion, her prominence in death rituals and favoured by poisoners and assassins. The Gaslamp fantasy elements in this story include a secretive Dublin magician and a death curse. It has been a delight to write and I hope to explore some more Gaslamp fantasy stories next year.
A re-posting of a 2013 article from the Tor/Forge blog…
From the Blurb:
“BARD. WARRIOR. REBEL.
Eighteen-year-old Liobhan is a powerful singer and an expert whistle player. Her brother has a voice to melt the hardest heart, and is a rare talent on the harp. But Liobhan’s burning ambition is to join the elite warrior band on Swan Island. She and her brother train there to compete for places, and find themselves joining a mission while still candidates. Their unusual blend of skills makes them ideal for this particular job, which requires going undercover as traveling minstrels. For Swan Island trains both warriors and spies.
Their mission: to find and retrieve a precious harp, an ancient symbol of kingship, which has gone missing. If the instrument is not played at the upcoming coronation, the candidate will not be accepted and the kingdom will be thrown into disarray. Faced with plotting courtiers and tight-lipped druids, an insightful storyteller, and a boorish Crown Prince, Liobhan soon realizes an Otherworld power may be meddling in the affairs of the kingdom. When ambition clashes with conscience, Liobhan must make a bold decision—and the consequences may break her heart.”
The Harp of Kings follows three trainee warriors of Swan Island, hopeful to join the ranks of the elite warriors and spies hired by Chieftains, lords and occasionally kings throughout kingdom of Erin to resolve conflicts or gather information. The protagonist is the trainee Liobhan but concurrent storylines are also narrated by her brother Broc and fellow Swan Island trainee, Dau. The three trainees are chosen to join the experienced Swan Island team on a mission to a king’s court, where the crowning of a new king traditionally requires playing a ceremonial harp, an ancient instrument symbolising the bonds of faith between the Fae and the mortal realms. Both Liobhan and Broc are trained musicians and children raised by a wise-woman. The Swan Island team are hired to find the stolen harp before the kingship ceremony or risk discontent or the new king’s reign might be considered cursed.
Liobhan and Broc, hired to play at the king’s court while they try to uncover any information about the location of the stolen harp or who might have reasons to steal the harp and threaten the new king’s claim to the throne. Dau is hired in the stables, disguised as a mute farrier acting as support to Liobhan and Broc. Soon, Dau and Liobhan discover the prince has a violent temper and a history of oppressing his people. Broc focuses his investigations on the Druid community where the harp was supposed to be kept between crowning ceremonies. There, Broc learns an old tale of the harp’s origin from Faylan, a promising noviciate who sends him to a wise-woman in the nearby forest, recently cursed by eldritch crows. But Broc has a yearning for the Otherworld and enters it, hoping to uncovers the answers to his own secrets about the origins of his uncanny talent as a harpist and singer. While Broc is in the Otherworld, Liobhan and Dau discover important secrets about the identity of the Druid noviciate Faylan.
The Harp of Kings has several layers where aside from exploring the mystery of the stolen harp, deeper truths must also be uncovered by the Swan Island trainees about themselves. Liobhan struggles to trust others where she has relied on Broc, she must now trust Dau, a man for whom she has misgivings, falsely placed. Dau is forced to confront the dark fears of his past and challenge his closed-mindedness and Broc decide which path he will take to determine his own future.
The Harp of Kings is a wonderful Fantasy read, rich in historical detail and early Irish culture. A highly recommended read for old and new fans of Juliet Marillier alike. A must read!
From the blurb:
“The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty, small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it–and accidentally frees the spirit of the Mayan God of Death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey, from the jungles of Yucatán to the bright lights of Mexico City–and deep into the darkness of the Mayan underworld.”
I recently read Gods of Jade and Shadow by Mexican-born Canadian author Silvia Moreno-Garcia, a historical fantasy inspired by the folklore of the Popol Vuh, a Mayan creation myth and retold in 1920s Jazz-era Mexico featuring Xibalba, the Mayan Underworld and formidable the twins-lords, Hun-Kame and Vacub-Kame.
The unlikely heroine of Gods of Jade and Shadow is Casiopea Tun, the a poor cousin and treated like a servant in her grandfather’s house after her father’s death forced her destitute mother to return home to rural Uukumil. But Casiopea is proud and independent but as she grows to adulthood her dreams have become crippled by the confines of the small, rural world of Uukumil and she only dreams now of escaping it. In a sudden act of defiance, Casiopea opens a chest in her grandfather’s room, unknowingly releasing the death-god imprisioned within. The god is Hun-Kame, Lord of Xibalba who has been imprisoned in the chest since Casiopea’s grandfather aided his twin Vacub-Kame, to take control of the Underworld.
Once again free, Hun-Kame must reunite the missing pieces of himself taken from his body to regain his full-power. There is a cost to regaining his power. Hun-Kame maintains his mortal form only through Casiopea who has a shard of his bone embedded in her hand. If she removes the bone shard, Hun-Kame will fade and his brother take dominance of the Underworld forever. But Casiopea has little interest in letting Hun-Kame lose, he offers her escape from the dull existence in Uukumil, the chance to see more of the world, even as she knows the bone shard within her drains her life while strengthening Hun-Kame’s. Together Casiopea and Hun-Kame must race against time to restore the missing parts of Hun-Kame’s body and reunite his power before too much of Casiopea’s strength is drained and before Hun-Kame risks becoming mortal. It is a delicate game to maintain the balance between life and death and soon, Casiopea and Hun-Kame begin to hope for more than the original bargain they set themselves.
In Xibalba, Vacub-Kame had bitterly spent the ages in the footsteps of his twin where Hun-Kame was the rightful ruler of the Underworld. In the final treachery that allowed Vacub-Kame to imprison his twin brother and take Xibalba for himself, a greater plan has grown to destroy Hun-Kame forever and restore the dominion of Xibalba over earth, returning the ancient Mayan practices of blood sacrifices and terror in his worship. In Baja California, Hun-Kame and Vacub-Kame must finally battle for rule of Xibalba, choosing champions to act in their stead. Hun-Kame chooses Casiopea while Vacub-Kame chooses her cousin, Martin, who was as belittled by their grandfather in Uukumil as Casiopea but found solace in belittling his poor cousin. There is no love loss between Casiopea and Martin.
Gods of Jade and Shadow is much more than a retelling of a mythic contest between two death gods, the lords of Xibalba. The novel is gloriously detailed in the setting, from the vibrant Jazz-era Mexico to the nightmarescape of the Underworld, Xibalba. The characters are rich and intriguing, the central message throughout Gods of Jade and Shadow is of the importance in maintaining balance. This central theme is reflected in the plot, and in the external and internal struggles of characters. The dream-like quality to the narration adds to making this novel feel like a classic myth, a dark fairytale and a joy to read.
Highly recommended! A glorious, dark folktale re-telling.
I am pleased to announce another forthcoming publication with news my short story “A Handful of Dead Leaves” will feature in the Greed (#5, Seven Deadly Sins) series by Black Hare Press. Like all the stories in this anthology, Greed is the central theme with my story exploring the darker side of leprechaun folklore where securing good fortune is always double-edged. You can read more about the research for this story here.
Stay tuned for an update on the release date and for how to purchase this dark speculative fiction anthology!
Uprooted by US author Naomi Novik explores the author’s polish heritage through vibrant folklore in this Fantasy novel.
Although Uprooted began like many fairytale retellings with a naive village girl from a rural village, who is taken by the Dragon and trapped in a tower. This is the basic synopsis of Uprooted but the story is significantly more than that. The villages of the valley ordinarily offer an exceptional young woman from their villages as tribute to the Dragon, who is actually a wizard, and the tower is his stronghold.
In Uprooted, Agnieszka is unexpectedly taken by the Dragon when she is chosen instead of her friend Kasia, the likely candidate. But Agnieszka unknowingly possesses a unique magic of her own, the type and depth which even the Dragon, the strongest wizard in the realm finds difficult to understand. As Agnieszka begins to learn how to handle her magic, she begins to find Sarkin (the Dragon) not as remote or indifferent as she once thought. Along with this, Agnieszka begins to understand how the valley she grew up in, lies within a shadow of a much larger and darker force than Sarkin. The burden of Sarkin’s position was more than life in the tower, standing sentinel against the real enemy, the Wood. For as the Wood grows closer to the capital city, a corruption leeching from it that destroys everything it touches, consuming the humanity to leaving only darkness and rage behind in a humanoid husk. Sarkin and Agnieszka soon find themselves united in a battle to save their country and the heirs to the throne, both from their own family and the Wood. Although Agnieszka‘s own magic is very strong, she is untrained and her power so unfamiliar to the other wizards that it is baffling to all but Sarkin who manages to work with her, blending her wilder magic sourced from the wandering wood-witch, Baba-Yaga, with his own, organised formulas. In the end, Agnieszka is able to find ways to understand that how the corruption of the Wood spreads from a single source, but her and Sarkin must choose to purge or destroy the source of corruption if they hope to vanquish the Wood and free the country from its grasp.
Uprooted was a rich and wonderful tale of magic and transformation. I enjoyed the detailed folklore and historical depth to the novel which made the characters both unique and fitting for the style of a fairytale retelling. A highly recommended read!
In the coming months, I’ll be doing a significant edit on my historical fantasy Bone Arrow which was inspired by Amerindian prehistory and fables. All previous editions of Bone Arrow will no longer be available and previous research archived. I’ll be sharing my latest research and editing developments as the new edition of Bone Arrow progresses.
I recently read Orphan Warriors, the first installment in the Children of the Otori duology by British-born Australian author Lian Hearn. In the events following the aftermath of the Tales of the Otori series, Orphan Warriors follows a young protagonist, one of the orphan sons of Arai Zenko, former friend and betrayer to Lord Takeo Otori.
Orphan Warriors takes place several years after Takeo’s death, Sunaomi and his younger brother Chikara have escaped execution alongside their parents providing they remain within the secluded protection of the Terayama temple monastery. Although Sunaomi and Chikara were raised as warriors, they now live as monks under the protection of their aunt, the late Lord Takeo’s wife’s Kaede. However, Sunaomi’s grandmother is Muto Shizuka, now a prominent leader in the Tribe. Soon, Sunaomi begins to discover his own inherited talents from the Tribe and he must choose between the honurable ways of the warrior class he is forever now excluded and the less honourable paths followed by the Tribe.
Closely bound to Sunaomi’s own story and self-discovery is that of another orphan warrior at Terayama, Lord Takeo’s own son Hisao, who was stolen and raised among the Tribe to assassinate his Takeo. Events in the Eight Islands suddenly change when Saga Hideki, the Emperor of the Eight Island’s most powerful Warlord becomes increasingly unstable. Sunaomi escapes Terayama when Saga Hideki sends forces for the remaining Ortori heir, but Hisao also escapes capture. Sunaomi forms a complex bond with Hisao, who has a rare Tribe talent as a ghostmaster, controlling the spirits of the dead. Yet Sunaomi is reluctant to condemn Hisao as morally corrupted as easily as the Tribe and the warrior class. Sunaomi works to understand and reverse the effects of a lifetime of privation, suffering and darkness that Hisao has endured. In the end, Sunaomi must confront his own rare gifts inherited from the Tribe to either directly combat or outmaneuver Hisao as the ghostmaster brings the threat of war and destruction closer to realization.
Orphan Warriors was a wonderful story following the aftermath of the Tales of the Otori series while combining important elements from The Tale of Shikanoko series. I look forward to reading the second volume and conclusion to the Children of the Otori.
I have just finished writing a new story concept I have been exploring. The story is inspired from my museum research in Europe in 2019. I was very interested by the prehistoric sections of museums. Before societies became larger civilisations, the bonds between communities were used to forge alliances. As these societies expanded under Chieftains and more land was claimed in the name of a Chieftain’s lineages, battle became more frequent as these dynasties were established. I was interested in exploring this lesser known part of history where archaeology is the only source to use and written records do not yet exist. Some of the oldest legends and mythologies have their early foundations in these prehistoric period when oral storytelling was common.
The rise in conflict between clans and increasing size of communities seems to also coincide with appearances and increased frequencies of human sacrifices (among many other things). I was interested to explore this single connection between conflict and human sacrifice in a story combining magic, ritual, history and battle together in a historical fantasy.