Short Fiction, stories

Forthcoming: Gothic Legends Anthology

I am pleased to announce my short story “The Dark Horseman” will feature in forthcoming horror anthology Legends of Night to be published by Black Ink Fiction.

You can read more about the research behind the legend, folklore and history of the Dullahan, or the Irish headless horseman, here.

More details on preorder links, and how to purchase copies of Legends of Night coming soon!

research, Short Fiction, stories

The Irish Headless Horseman

I have always been fascinated by the folklore of the headless horseman. I first became aware of this harbinger of death in the famous story by Washington Irving The Legend of Sleepy Hollow set in rural region in the state of New York. But the Irish legend of the Dullahan (“dark man”), the headless horseman is a harbinger of death. In the legend of the Dullahan, he carries a moldy severed head under his arm, taking a blood sacrifice (and the head) of his intended victim. According to folklore of the Dullahan, he only speaks once during his furious ride through village and field, and those words are only for his victim, the sacrifice.

The connection between the headless horseman and sacrifice is related to Celtic mythology and the ancient god, Crom Dubh, a fertility god to whom blood sacrifices were made. In county Cavan, the Killycluggin stone is believed to be an ancient representation of Crom Dubh, and like the Dullahan of legend travelling the roads, the large carved stone was found on a main road close to a nearby Bronze Age stone circle.

I was inspired by the Dullahan, this embodiment of Crom Dubh, and in writing a short story, I’ve incorporated these elements of folklore, legend, archaeology and mythology to weave a new tale of this infamous headless horseman.

Short Fiction, stories

Reimagining Arabian Nights

One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.

In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.

research, Short Fiction

Dark Legends of the Thunderbird

In writing a flash fiction story, I explored in the legendary Thunderbird, a powerful elemental being, found in many First Nations religions across North America.

The Thunderbird is a being found in many First Nations legends stretching from the desert plateaus and lands, the prairies and plains to the redwood forests and the Rocky Mountains. The Thunderbird is a powerful being, the beating of its wings makes the thunderclaps and gales, the silver of its eyes is the lightning. The Thunderbird also has an association with battle to many First Nations cultures, the bringer of storms both literal and metaphorical. I have a post here on the Thunderbird, or ‘Wakinyan’ in the Lakota-Sioux dialect.

As with any reimagining of a legendary being, I was conscious of cultural appropriation. My own reimagining of the Thunderbird, I focused on the connection between the prairie and desert landscapes, the reliance on the life-giving thunderstorms, and as a being invoked to protect land but also warriors and their horses.

research, Short Fiction, Writing

Gothic Folklore of the Shipwreck Coast

In a recent story, I explored one of the worst shipwrecks that occurred off south-eastern Australia, a notorious stretch of coast known as the “shipwreck coast”. I have been fascinated by the history behind a treacherous, narrow bay, the Loch Ard Gorge named after the 1878 shipwreck of the Loch Ard merchant ship, one of the Australia’s deadliest shipwrecks, where only two survived from the 54 on board.

Loch Ard Gorge is located near Cape Otway on the south-eastern Australian coastline where the infamous southern Ocean has eroded the sandstone coastline creating many the natural rock formations including the ‘twelve apostles’ along the Great Australian Bight. This region is prone to storms and pounding surf from the Antarctic, and rich marine ecosystems of great white sharks, seals, whales, dolphins and many species of fish and other marine life. This thriving region is also home to more than two hundred shipwrecks during Australia’s colonial history, a short span of time compared to the sixty thousand years of indigenous occupation.

In writing my own fictionalised account of this historic event, I imagined a third survivor, one who fled England for Melbourne undetected, a damned soul for who must eventually pay their due. I was inspired and fascinated by the gothic folklore of the sea, damned sea voyages encapsulated in Samuel Taylor Coleridge’s epic poem The Rime of the Ancient Mariner, and Homer’s The Odyssey among others.

reads, Recent Reads

The Witch’s Heart

Publisher’s Description:

Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.

With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.


My Review:

I recently read The Witch’s Heart by US author Genevieve Gornichec, a reimagining of Norse mythology from the perspective of the witch Angraboda.

Angraboda is the name chosen by the witch Gullveig after she is burned three times and pierced through the heart with a spear after meeting with Odin, leader of the Aesir gods. Angraboda refuses to teach Odin sedir, the prophetic form of magic and in retaliation, Odin burns her three times from which she returns to life each time.

After fleeing the Aesir and taking refuge in the Iron Wood, Angraboda has only shadowy memory of her life as Gullveig and names herself Angraboda “the bringer of sorrow” in place of her previous name. She is soon visited by the Trickster Loki, who is also Odin’s brother (by bond but not by blood). Loki recovers Angraboda’s heart and enjoys her company. Keeping their friendship a secret from the gods and giants, it soon becomes much more. Although Loki asks Angraboda to be his wife, their relationship must stay a secret for Loki is later married to an Aesir goddess Sigyn, further binding him to Odin and the Aesir gods.

It is the three children from Angraboda and Loki’s union that proves to be the catalyst for their relationship and for the future of the Nine Worlds. Angraboda has three children with Loki, each more monstrous than the first. Their half-dead daughter Hel, son Frenrir in wolf form and Jorumungand, a sea serpent. But it is not just the strange children born from the union of two unusually powerful giants that causes Odin concern, but the prophecy Angraboda has of her children destroying the Aesir gods and bringing about the end of the Nine Worlds.

Odin desires the knowledge of Angraboda’s prophecy concerning the fate of the Nine Worlds in a hope to prevent the outcome and save himself and his children. Odin’s desire comes at the price of Loki’s freedom and Angraboda’s children who the Aesir cannot allow to fulfil their role in the end of the Nine Worlds, the great battle Ragnarok. So begins Angraboda’s struggle to preserve her family, shield them from the Aesir and survive the bitterest of betrayals. In the end, Angraboda must choose whether she wants vengeance against Odin and the Aesir, or whether she can save at least one of her children.

Final Thoughts:

The Witch’s Heart is a wonderful reimagining of the Norse myths from the perspective of one of the least well-known figures, the witch Angraboda. In many of the myths, Angraboda is mentioned only in passing as the wife of Loki and mother of the giant wolf Fenrir, guardian of the dead, Hel, and the giant serpent, Jorumangand. The mother of three monsters who are prophesied to kill the gods, Angraboda is a mysterious figure, a witch who dwells in the Iron Wood. The Witch’s Heart also examines another female figure in Norse mythology, the witch Gullveig who Odin and the Aesir burn three times and pierce her heart with a spear when she refuses to submit to Odin. A clever story that combines two important and mysterious figures in Norse mythology, Gullveig and Angraboda, giving substance to both in Gornichec’s reimagined Angraboda.

My Conclusion:

A highly recommended read for those who enjoyed the reimagining of the half-Titan witch Circe by Madeline Miller, those who enjoy stories with strong female protagonists or for readers who want a fresh reimagining of Norse mythology.

Short Fiction, Writing

Vampire Folkore

Vampires are one of the most common and popular themes in horror fiction. An enduring trope that continues to fascinate readers throughout the generation. But how do we imagine vampires? How do our ideals compare to the original vampires of folklore? The Succubi of Ancient Greece and Rome, and the haunting vampires of Slavic cultures throughout Eastern Europe.

Before the publication of Bram Stocker’s Dracula, the majority of vampires in prose or poetry were based on vampiric folklore, particularly from Slavic cultures, where vampires were almost always female. The recent popularisation of vampires in literary fiction and film has seen a reversal of the vampire identity where the vampire is now more often male and female vampires are a rarity.

Two of my recent microfictions will feature in Blood Lust by Black Ink Fiction. “The Hungering” focuses on a young female vampire, portraying her as the traditional vampire, a seductively dangerous predator but one who grapples to control her nature and blood lust. “The Burial” is a different look of vampiric folklore, instead focusing on an archaeological excavation and the discovery of a suspected vampire burial, the beliefs of the historical culture and the superstition of the modern cultures, a linking across time based on the strong belief and fear of vampires.

events, Writing

Scorpio Anthology Release


I am excited to announce the release of Scorpio (The Zodiac Series, #11) from Deadset Press that launched on 28th March, 2021. I had the great pleasure of co-editing this zodiac- themed anthology featuring short stories inspired by the Scorpio zodiac including my Gaslamp fantasy story “Serket’s Curse”. You can read more about my research into Egyptology and the creation of an alternate Victorian era Dublin here.

If you are interested in purchasing an ebook or paperback copy of Scorpio (The Zodiac Series, #11) you can find more details here.

events, Writing

April Horrors Anthology Release

I’m excited to announce the release on March 17, 2021 of April Horrors (A 100 Word Horror Collection) published by Raven and Drake Publishing featuring two of my micro-fiction pieces “Necropants” and “The Devil’s Fool”.

April Horrors is a dark April Fools themed anthology is inspired by tricks, jokes and pranks gone awry. My Drabble “The Devil’s Fools”, set in medieval Europe and inspired by the folklore, fear and association between suspected witches and the Devil. The second Drabble “Necropants”, set in Viking Age Iceland and inspired by the folklore of wearing a man’s flayed lower-half, the ‘pants’ ensorcelled to always provide constant coins. Want to learn more about my research for these two stories? You can read more here.

Interested in purchasing an ebook or paperback copy of April Horrors (A 100 Word Horror Collection) ? More details, purchase links and options can be found here.

Short Fiction, Writing

Aztec Rituals & the God of Death

One of the most interesting folklore research I did recently involved the Aztec Empire in Mesoamerica. I have always been fascinated by the Aztec Empire and the many intriguing mythologies and my latest research was into the god of Underworld, Mictlantecuhtli. The death-god is often depicted in constant combat with the opposing force, the god of renewal Quetzalcoatl, the Feathered Serpent. The two gods are constantly locked in a fight for supremacy, the balance between life and death.

The Aztecs practised human sacrifice on a colossal scale in the late stages of the empire. Recent archaeological excavations in the sacred city of Tenochtitlan at the base of one of the largest pyramid temples, the Tempo Mayor, huge wooden racks of skulls were offerings to the gods of war and rain. The extreme numbers of suggested human sacrifices coincided with Aztec empire expansion, it was probably considered necessary to appease the gods who could provide battle success and the rains to grow crops and support an increasing population.

The Aztec Underworld or Mictlán was ruled by god Mictlantecuhtli. To the Aztecs, every soul no matter the privilege or poverty during life, would descend through the nine layers of Mictlán to face Mictlantecuhtli. Not surprisingly, worship of Mictlantecuhtli was important to all Aztecs and during the Aztec month of Tititl , the temple Tlalxicco conducted a specific ritual human sacrifice. A chosen sacrifice became the embodiment of Mictlantecuhtli and sacrificed at night to honour the god.

In my flash fiction story, I was inspired by the elaborate skeletal depictions of Mictlantecuhtli and the creation myth where Quetzalcoatl is deliberately delayed in the Underworld while searching for the bones of every creature destroyed in the previous world. The Aztecs, like many past civilisations, had a cyclic view of time rather than a linear one. Drawing on inspiration from depictions of Mictlantecuhtli adorned in carved bones or as a skeletal figure, my flash fiction story was set during the Aztec month of Tititl at night at the temple Tlalxicco. Here the ritual sacrifice gruesomely transforms the flesh embodiment of Mictlantecuhtli into a skeletal representation of the death-god before sunrise.