Short Fiction, Writing

Forthcoming: Vampire Anthology


I am very excited to be included in Blood Lust (Legends of Night Drabbles, #2) forthcoming in 2021 from Black Ink Fiction. This vampire Microfiction anthology will feature two of my 100 word drabbles inspired by vampiric lore, “The Hungering” and “The Burial”. You can read more about my research here.

Keep a watch for more details on release dates for Blood Lust (Legends of Night Drabbles, #2) coming in 2021.

Short Fiction, Writing

Vampire Folkore

Vampires are one of the most common and popular themes in horror fiction. An enduring trope that continues to fascinate readers throughout the generation. But how do we imagine vampires? How do our ideals compare to the original vampires of folklore? The Succubi of Ancient Greece and Rome, and the haunting vampires of Slavic cultures throughout Eastern Europe.

Before the publication of Bram Stocker’s Dracula, the majority of vampires in prose or poetry were based on vampiric folklore, particularly from Slavic cultures, where vampires were almost always female. The recent popularisation of vampires in literary fiction and film has seen a reversal of the vampire identity where the vampire is now more often male and female vampires are a rarity.

Two of my recent microfictions will feature in Blood Lust by Black Ink Fiction. “The Hungering” focuses on a young female vampire, portraying her as the traditional vampire, a seductively dangerous predator but one who grapples to control her nature and blood lust. “The Burial” is a different look of vampiric folklore, instead focusing on an archaeological excavation and the discovery of a suspected vampire burial, the beliefs of the historical culture and the superstition of the modern cultures, a linking across time based on the strong belief and fear of vampires.

reads, Recent Reads

Age of Assassins

Publisher’s Description:

TO CATCH AN ASSASSIN, USE AN ASSASSIN…

Girton Club-Foot, apprentice to the land’s best assassin, still has much to learn about the art of taking lives. But his latest mission tasks Girton and his master with a far more difficult challenge: to save a life. Someone, or many someones, is trying to kill the heir to the throne, and it is up to Girton and his master to uncover the traitor and prevent the prince’s murder.
In a kingdom on the brink of civil war and a castle thick with lies Girton finds friends he never expected, responsibilities he never wanted, and a conspiracy that could destroy an entire land.


My Review:

I recently read Age of Assassins (The Wounded Kingdom, #1) by UK fantasy author R. J. Barker.

Age of Assassins follows the protagonist Girton, apprentice assassin to Master assassin Merela Karn, when she and Girton find themselves unwillingly embroiled in court intrigue and blackmailed by the Queen of Manyidoc determined to find those behind the attempted assassination of her son and heir, Aydor.

Girton, disguised among the noble blessed class, and using the title ap Gwyner, takes a position among the squires to learn the grievances and allegiances between Aydor and the challenger to the throne, Tomas. The machinations of the court at Castle Manyidoc, rivalries and alliances soon threaten to sweep Girton and Merela into deadly intrigue with fatal consequences. The only hope for survival that Girton and Merela can have is staying one step ahead of other assassins, rival factions, and a growing threat from sorcerers.

Final Thoughts:

I had reservations about reading Age of Assassins, concerned how similar the publisher’s description was to Robin Hobb’s Assassins trilogy. Despite my misgivings, The Wounded Kingdom series has been an interesting journey through a unique fantasy world and history, the well-defined characters intriguing and thoughtful.

My Conclusion?

Age of Assassins is likely to become a favourite for any fans of epic fantasy, unique world-building, and intrigue. A highly recommended read!

events, Writing

Gluttony Anthology Release

I’m excited to announce the release on 30 March, 2021 of Gluttony (Seven Deadly Sins, #6) published by Black Hare Press featuring my story “The Monster”.

This dark speculative fiction anthology is inspired by the theme of gluttony, an inordinate desire to consume more than that which one requires. My short story “The Monster”, explores the folklore of the Algonquian First Nations peoples in Canada and North America, the cannibalistic wendigo monster and a rare cultural psychosis. If you are interested in the legend of the wendigo, wendigo psychosis and my research for “The Monster”, you can read more here.

Interested in purchasing an ebook or paperback copy of Gluttony (Seven Deadly Sins, #6)? More details, purchase links and options can be found here.

events, Writing

Lost Lore and Legends Anthology Release

Pleased to announce the release on 22nd March, 2021 of micro-fiction anthology Lost Lore and Legends published by Breaking Rules Publishing Europe and featuring five of my 100 word drabbles inspired by European folklore and mythologies.

Lost Lore and Legends explores a variety of legends, mythologies and folklore from European tradition. Two of my drabbles, “The Troll-Witch” and “The Elf Stone” were inspired by Icelandic folklore and legend, “The Seelie Court” was based on Scottish Fae folklore, while “Pixie-Touched” explores the dark Cornish lore of pixies and madness, and “Oak and Holly” tells of the physical manifestation of the summer and winter kings, forever duelling for supremacy. If you are interested in the research behind these five drabbles, you can read more here.

Interested in purchasing an ebook, paperback or limited hardback edition of Lost Lore and Legends? More details and links can be found here.

Short Fiction, Writing

Forthcoming: Zombie Anthology


Disclaimer: I am genuinely creeped out by zombies.

Infection (Legends of Night Drabbles, #1) from Black Ink Fiction was an unlikely theme for me, but I am excited to say, I’ll be a featured author in this zombie/walking undead microfiction anthology. My 100 word drabble “The Revenants” is a dark fiction inspired by witchcraft, reanimation and the consequences of meddling with the fabric between life and death.

Keep a close eye on updates for more details on release date of Infection (Legends of Night Drabbles, #1) coming in 2021.

Short Fiction, Writing

Aztec Rituals & the God of Death

One of the most interesting folklore research I did recently involved the Aztec Empire in Mesoamerica. I have always been fascinated by the Aztec Empire and the many intriguing mythologies and my latest research was into the god of Underworld, Mictlantecuhtli. The death-god is often depicted in constant combat with the opposing force, the god of renewal Quetzalcoatl, the Feathered Serpent. The two gods are constantly locked in a fight for supremacy, the balance between life and death.

The Aztecs practised human sacrifice on a colossal scale in the late stages of the empire. Recent archaeological excavations in the sacred city of Tenochtitlan at the base of one of the largest pyramid temples, the Tempo Mayor, huge wooden racks of skulls were offerings to the gods of war and rain. The extreme numbers of suggested human sacrifices coincided with Aztec empire expansion, it was probably considered necessary to appease the gods who could provide battle success and the rains to grow crops and support an increasing population.

The Aztec Underworld or Mictlán was ruled by god Mictlantecuhtli. To the Aztecs, every soul no matter the privilege or poverty during life, would descend through the nine layers of Mictlán to face Mictlantecuhtli. Not surprisingly, worship of Mictlantecuhtli was important to all Aztecs and during the Aztec month of Tititl , the temple Tlalxicco conducted a specific ritual human sacrifice. A chosen sacrifice became the embodiment of Mictlantecuhtli and sacrificed at night to honour the god.

In my flash fiction story, I was inspired by the elaborate skeletal depictions of Mictlantecuhtli and the creation myth where Quetzalcoatl is deliberately delayed in the Underworld while searching for the bones of every creature destroyed in the previous world. The Aztecs, like many past civilisations, had a cyclic view of time rather than a linear one. Drawing on inspiration from depictions of Mictlantecuhtli adorned in carved bones or as a skeletal figure, my flash fiction story was set during the Aztec month of Tititl at night at the temple Tlalxicco. Here the ritual sacrifice gruesomely transforms the flesh embodiment of Mictlantecuhtli into a skeletal representation of the death-god before sunrise.

events, Short Fiction, Writing

Showcasing Horror: Dark Fiction Coming Soon

Continuing the celebration of all things women in horror, I’ve got a horror/dark fiction short story set in the Australian Alps inspired by the wendigo legend, case of a cannibalistic monster or a monstrous human? Coming soon in Gluttony (Seven Deadly Sins, #6) by Black Hare Press.

Here’s a sneaky peek at my story “The Monster” and the folklore and legend of the wendigo. Enjoy with dark delight!

Short Fiction, Writing

Reimaging the Pied Piper Fairytale

One of the most fascinating fairytales to me has always been the ‘The Children of Hameln’ recounted by Wilhelm and Jacob Grimm in 1816 and 1818 editions of their famous fairytale collection. But there are several legends of similar figures like the Piped Piper from surrounding region of Saschen and wider Germany. Another fairytale I found intriguing is the ‘The Singing Bone’ and the variations, including the Scottish legends of an enchanted harp made from bone.

In crafting my own reimagining of the Pied Piper tale and the fate of the children from Hameln, I was inspired by of the gothic folklore of Forests, a common theme in many fairytales. The Forest often represents great dangers and only reason a community taught to fear it might enter would be unwillingly. The Pied Piper is often described as a troubadour or jester-like character, but in this reimagining, I wanted something darker and connected to the Forest. I thought of magicians, a failing harvest in the otherwise fertile valleys where an unspoken agreement between hamlets and magician to restore fertility and abundance to the lands would come at a high price. The magician is feared, not only for his magic but his appearance, a gaunt and physically deformed man, historically not welcome in many medieval communities for the ill-fortune to which they were associated. In keeping with the tales, the hamlets refuse to honour the bargain with the magician and an enchanted harp wrought from human bone becomes the tool to steal away the young and future generations of the hamlets, summoning them to wander forever among the groves and copses of the Forest.

Short Fiction, Writing

Reimagining Hansel and Gretel Fairytale

One of my favourite fairytales is the story of ‘Hansel and Gretel’ recounted by Wilhelm and Jacob Grimm, with two variations in the tale published in the 1812 and 1857 versions to accomodate a wider selection of similar folktales. From the fairytale and folklore indexes developed by Professor Ashlimanm , the ATU system identified at least ten variants in many countries following similar themes.

The most commonly known version of ‘Hansel and Gretel’ is a tale set during a bitter winter, and poor parents forced to choose between their personal survival and the cost of raising a girl and boy without resources. On the brink of starvation, the children are taken into the woods and abandoned. When they find the cottage where a witch lives, she offers them their desires (mostly food). When the danger of the bargain is revealed, Hansel and Gretel use a trail of breadcrumbs to follow their way back to their village and escape the witch.

In my own reimagining, I thought of the gothic folklore surrounding the Forest, a common themes in many fairytales. The only reason the Forest might be entered willingly would be if the danger outside the Forest was worse than the unknown terrors of the Forest. To reimagine another time when similar conditions in Hesse-Cassel existed, I used s more modern setting such as WWII. Here, Hansel and Gretel equivalents must escape the dangerous of the Forest and it’s haunting presence of a witch. I wanted to create that same dark threat of the witch and her malevolence towards children, choosing corpselights, often thought the souls of murdered or unrestful child spirits, to provide a safe path for the children to follow and escape the Forest.