This dark speculative fiction anthology is inspired by the theme of gluttony, an inordinate desire to consume more than that which one requires. My short story “The Monster”, explores the folklore of the Algonquian First Nations peoples in Canada and North America, the cannibalistic wendigo monster and a rare cultural psychosis. If you are interested in the legend of the wendigo, wendigo psychosis and my research for “The Monster”, you can read more here.
Haunted houses are one of my favourite horror themes and I’m very excited to feature in the forthcoming Death House anthology from Raven & Drake Publishing. Death House is an anthology combining short stories and microfiction. My drabble “Agnes House” is inspired true and fictional crimes, a dark fiction tale where the supernatural is horrifyingly human.
Stay tuned for more details on how to purchase a copy of Death House coming soon!
Continuing the celebration of all things women in horror, I’ve got a horror/dark fiction short story set in the Australian Alps inspired by the wendigo legend, case of a cannibalistic monster or a monstrous human? Coming soon in Gluttony (Seven Deadly Sins, #6) by Black Hare Press.
Here’s a sneaky peek at my story “The Monster” and the folklore and legend of the wendigo. Enjoy with dark delight!
Pleased to announce my flash fiction story “The Eldritch Wood” will feature in Watch (Five Hundred Fiction, #3) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by the theme of stalking. My flash fiction story “The Eldritch Wood” is inspired by gothic folklore of forests and dangers of the Fae beings.
From the Blurb:
“Long ago, a good man transgressed and was brutally punished, his physical form killed and his soul split asunder. Now, one half of his ancient soul seeks to reunite with its lost twin, a search that leaves murder in its wake…
In the streets of modern day Sydney a killer stalks the night, slaughtering innocents, leaving bodies mutilated. The victims seem unconnected, yet Investigating Officer Ivory Tembo is convinced the killings are anything but random. The case soon leads Ivory into places she never imagined. In order to stop the killings and save the life of the man she loves, she must reach deep into her past, uncover secrets of her heritage, break a demon’s curse, and somehow unify two worlds.”
I recently read Ivory’s Story by African-Australian author Eugen Bacon after readings several reviews and the description roused my interest in this unique speculative fiction novella set in Australia.
The protagonist of Ivory’s Story is female detective Ivory Tembo who has the unhappy task leading the failing investigation into a series of grisly murders of high-profile men in sexually explicit ways in Sydney, Australia. Raised as an orphan and without knolwedge of her family, Ivory has only the unusual opal amulet from her mother to link her to true heritage. Determined to solve the killings and discover her identity, Ivory is directed to a seer at Orange Crater in the northern-central Australia.
The long travel to Orange Crater, Ivory finds her mother also visited but finds no trace of any other family ties only a strong affiliation with a cranky medicine woman. Under the guidance of this medicine woman, Ivory learns how to defeat and stop the murders and the reasons behind the gruesome killings. The medicine woman explains a past tragedy involved an exiled son of a medicine man. This son harboured a rare gift of twin-souls but when accused of stealing a Chieftain’s daughter, his execution does not kill him but does separate his souls, causing one to remain forever within his body, the other to always seek to return. For Ivory, she must re-unite the twin souls after centuries and dimensional planes apart if she is to save the man she loves and stop the killings.
A combination of beautifully written prose and vivid descriptions of the Australian and inter-dimensional landscapes, Ivory’s Story also features a cast of well-defined characters and refreshingly strong female characters. Although, there are sections of the novella that seem to drift from the central focus of the story and can detract from its purpose, leaving me wanting more about Ivory’s detective work and development as a seer, the strong weird fiction themes do not make this feel like a true flaw, more like a necessary element of the weird fiction style.
Ivory’s Story is recommended for its beautiful prose and strong female characters. Readers will be certain to enjoy a cultural odyssey for those familiar and new to both the weird and speculative fiction genres.
I’m delighted to announce the release on 31st December, 2020 of speculative fiction anthology Unnatural Order by CSFG. This is a fascinating collection of stories inspired by the monstrous, unnatural and the fantastic.
Featuring my own story “The Bargain”, a tale of Fae guardians and the bargains struck to assure the equilibrium between the nature, Fae and humanity. You can read more about my research for “The Bargain” here.
Are you interested in these tales of the fantastic and monstrous? More details purchasing ebook or paperback copies of Unnatural Order here.
Another of my recent work-in-progress short fiction pieces, has been a dark fiction story inspired by wendigo psychosis an unusual form of ‘cultural psychosis’ specific to First Nations peoples of Canadian-North American Great Lakes regions where belief in a supernatural being, the wendigo, provides a unique cultural framework for a psychosis. This psychosis has specific disease symptoms which like the cultural belief – is unique – and found nowhere else in the world.
What is a wendigo then? It is a legendary being originating from northern Algonquian First Nations oral folktales and legends (recently popularised in supernatural fiction and movies), described in varying ways but, almost always, as a ravenous cannibalistic monster with an insatiable hunger. Historically, the First Nations peoples including the Algonquian, Cree and Ojibwa attributed wendigo possession to those driven mad in the harsh winter months of isolation and deprivation who resorted to cannibalism, often without a famine present.
In this short story, I was interested to take wendigo folklore and wendigo psychosis deliberately outside its necessary cultural context to explore the shadowy boundary between reality and insanity, and the inherent horror of uncertainty: a human monster or monstrous possession? This story was written through a single character’s point of view, exploring the darker, unintentional psychological motivations of a declining mental state and attempts to rationalise violent, aberrant behaviour.
From the Blurb:
“To protect his ward, Ciri, Geralt of Rivia sends her away from the home of the Witchers to train with the sorceress Yennefer. But all is not well within the Wizard’s Guild.
Geralt is a Witcher: guardian of the innocent; protector of those in need; a defender, in dark times, against some of the most frightening creatures of myth and legend. His task, now, is to protect Ciri. A child of prophecy, she will have the power to change the world for good or for ill — but only if she lives to use it.”
The Time of Contempt is the second novel in the epic fantasy series The Witcher by Polish author Andrzej Sapkowski following from The Blood of Elves. Continuing from the dramatic events of Blood of Elves, Ciri is apprenticed to Lady Yennefer as the sorceress attempts to determine the extent of Ciri’s magical talent and what underlying dark forces seem latent within her giving her the ability as a seer. Determined to see to Ciri’s education, Yennefer arranges for Ciri to attend training at an island tower where sorceresses like Yennefer continue to be trained. But the eve of their arrival, The Wizard’s Guild are meeting and the enclave of sorcerers and sorceresses should determine the fate and solutions for the rising chaos between the races and the coming threat of war from Nilfgaard. While Ciri is supposed to be within her tower rooms, she escapes the prison-like confines of the island and rides to where she expects to find Geralt. There among the wild lands of the coastline, the tower continues to darken her thoughts and the Wild Hunt, the harbingers of chaos and destruction join her ride. Although Ciri finds Geralt, he seems distracted and the arrival of Yennefer to return Ciri to the island does little to abate her concerns.
Yet Geralt is easily convinced by Yennefer to join her as his guest to the enclave and the meeting between the sorcerers. Despite the reunion between the two former lovers, Ciri is increasingly agitated and soon unsettling events at the tower island begin to reflect her mood. The pact and meetings between envoys for the kingdoms and their representatives of the Wizard’s Guild never eventuate with factions within the Guild tearing apart the meeting. Caught between the fighting and without a chance to flee the island, Ciri escapes up the tower to the broken portal above. The attacking faction within the sorcerers meeting also open the way for invading rebel elves and the Nilfgaardian forces to enter the island. Desperate to reach Ciri, Geralt fights his way to the tower portal where Yennefer and Ciri have reportedly fled. Mortally injured and unable to reach Ciri, it is up to her alone to arrange her own escape. As the island implodes with the magical forces and Geralt lies bleeding on the steps beyond, Ciri escapes the elven sorcerer indebted to Nifgaard by using the portal despite its instability and unlikely success.
It is into this dark new age that Ciri emerges changed. Her talents as a sorcerer now seem strangely absent after a sojourn in the wilderness where she succumbed to the temptation of the fire magic Yennefer had always forbidden her. Geralt is far from Ciri, forced to recover from his near-fatal injuries in the dryad ruled forest of Brokilon and Ciri’s true whereabouts remain unknown despite rumours that the Nilfgaard king has presented the princess of Cintra as his bride-to-be at his court. These seem but false rumours with the true Ciri having joined a rebel group of outlaws, adolescent outlaws hardened by the war and rising chaos in the world around them. To Ciri, her sense of abandonment by Geralt and Yennefer has reached a peak and this new band of friends and killers is where she feels she belongs.
A Time of Contempt was a wonderful combination of political intrigue and social history with the masterful world-building I have come to expect from Sapkowski. The detailed history of events and cultures blends seamlessly with the magical forces and structures of this fantastic world.
Another masterpiece from Andrzej Sapkowski. Highly recommended for fans of Slavic folklore, epic fantasy, Netflix The Witcher TV series and especially fans of Sapkowski’s The Witcher books. A must-read.
From the Blurb:
“It’s been four weeks since the bloody showdown at Black Mesa, and Maggie Hoskie, Diné monster hunter, is trying to make the best of things. Only her latest bounty hunt has gone sideways, she’s lost her only friend, Kai Arviso, and she’s somehow found herself responsible for a girl with a strange clan power.
Then the Goodacre twins show up at Maggie’s door with the news that Kai and the youngest Goodacre, Caleb, have fallen in with a mysterious cult, led by a figure out of Navajo legend called the White Locust. The Goodacres are convinced that Kai’s a true believer, but Maggie suspects there’s more to Kai’s new faith than meets the eye. She vows to track down the White Locust, then rescue Kai and make things right between them.
Her search leads her beyond the Walls of Dinétah and straight into the horrors of the Big Water world outside. With the aid of a motley collection of allies, Maggie must battle body harvesters, newborn casino gods and, ultimately, the White Locust himself. But the cult leader is nothing like she suspected, and Kai might not need rescuing after all. When the full scope of the White Locust’s plans are revealed, Maggie’s burgeoning trust in her friends, and herself, will be pushed to the breaking point, and not everyone will survive.”
Storm of Locusts follows from the dramatic ending of Trail of Lightning with a six month hiatus between the revelations shared by Maggie and Kai. Since then, Kai has not contacted Maggie and she has become the unlikely guardian for a young girl, recently orphaned but long-since in possession of her clan powers and the dark, violent history that often entails.
Maggie and her charge are enlisted to search for the missing youngest son of Maggie’s neighbours, the Goodacres. But Caleb Goodacre is feared abducted as part of a charismatic and dangerous doomsday cult, its leader proclaiming kinship with an ancient Navajo legend, the White Locust. Maggie quickly discovers that Caleb left willingly with Kai and she must trust her instinct that Kai is no monster. With the aid of her charge and the unusual clan powers for tracking, Maggie follows Kai and the White Locust beyond the safety of the Walls of Dinétah where the post-apocalyptic world of body harvesting challenge the horror Maggie has witnessed hunting Navajo monsters in Dinétah. But evidence continues to mount that Kai has willingly been helping the White Locust using his own clan powers of persuasion to grow the following and enable the White Locust in destroy the Sixth World. Maggie has only the untruthworhty advice of Mican to aid her and she must decide whether Kai is good or whether his clan powers have deceived her who is a friend or a monster.
Storm of Locusts proved to be the sequel to Trail of Lightning that took the brutal Sixth World that Rebecca Roanhorse had masterfully created into another level. I found the story compelling in its honesty and the gritty sense of realism was refreshing for dystopian fantasy which often feels unauthentic in its envisioned future. Storm of Locusts perfectly captures a world of dwindling hope, selfishness and greed prevail as human society struggles to survive. It is a fertile place, where a cult promising new order and inclusion, could flourish.
A must-read if you enjoyed Trail of Lightning, fans of dystopian fantasy or those craving an original fantasy inspired by non-Celtic folklore. Highly recommended!
From the Blurb:
“She answered the Emperor’s call.
She arrived with her arts, her wits, and her only friend.
In victory, her world has turned to ash.
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?”
I admit to possessing a strong bias when I started reading Harrow the Ninth by New Zealand author Tamsyn Muir. I adored Gideon the Ninth, the first instalment in The Locked Tomb Trilogy and after such an extraordinary and unique beginning, I expected great things from Harrow the Ninth. I was not disappointed and the second instalment in The Locked Tomb Trilogy was surprising, complex and at times- perplexing. The highly-charged atmosphere of Gideon the Ninth could not be recreated and to avoid a pale replica, Harrow the Ninth makes its own impact.
Harrow the Ninth continues from events that concluded Gideon the Ninth. There are substantial time lapses, jumps both forward and backward as Harrowhark, the protagonist of this novel, battles the truth of her own madness and tries to master the powers of a lyctor before the Emperor Undying is hunted down by the vengeful ghosts of organisms, entire planets murdered during the first Resurrection. The reality for Harrowhark is that unreality is bleeding through into her daily existence and her teachers are either intent on her demise or indifferent about her survival. Harrowhark needs all of her wits and strength to survive the coming battle and as madness descends, she needs Gideon more than ever.
Harrow the Ninth is not a recreation of the concepts or style familiar in Gideon the Ninth. If looking for more of the same, it’s not found here. Instead, Harrow the Ninth is distinctly its own and refreshing for it.
Highly recommended. Brilliant characters, complexity and world-building continuing The Locked Tomb Trilogy. A great read!