I am very pleased to announce my microfiction pieces will feature in Lost Lore and Legends to be published by Breaking Rules Publishing Europe! Lost Lore and Legends anthology will consist of 100 word “drabbles” or microfiction pieces inspired by European folklore, legends and mythologies.
Five of my microfiction pieces will be featured, including original microfiction such as “The Troll-Witch”, “The Seelie Court”, “The Elf Stone”, “Pixie-Touched”, and “The Oak and Holly Kings”. You can read more about the research behind these microfiction stories here.
More details will follow on release dates for Lost Lore and Legends and where ebook and paperback copies can be purchased. Check my Short Fiction Publications for purchase links and further details.
The past several weeks, I have been exploring many different aspects of European folklore, particularly involving the Fae. Below is a series of some of my research favourites, fae beings and associated folklore.
Seelie and Unseelie Fae
In Scotland, the Fae are often divided into the Seelie and Unseelie courts, or the Light and Dark , respectively. Unlike the Irish Fair Folk, the Seelie and Unseelie beings follow a stricter divide, those fae which are malevolent are found in the Unseelie Courts, while those who are more kindly toward mortals such as brownies (but like all fae beings, this does not mean there is no in dealing with the seelie. Just with all Fae beings in Icelandic, Irish and Welsh folklore, the tendencies of the Fae are not comprehensible by mortal means and their own needs will almost always take precedence.
In Iceland, elves are an integral part of Icelandic culture with folklore infused throughout everyday Icelandic life. Elf-stones as they are sometimes called are believed to be doorways to the underground realms and otherworldly lands where elves dwell. The disturbance of an elf-stones is often considered a major concern with recent road construction and a series of disasters befalling the site, workers and nearby region occurring when a recognised elf-stone was moved. Subsequently, the stone was relocated and the course of the highway adjusted to avoid disturbing the area further.
In Icelandic legend, the renowned waterfall Skogafoss, a spectacular waterfall in southern Iceland, fed by glacial melt is also associated with a legend of elves, buried treasure and the founding of the Icelandic landscape. A Viking Age sorcerer, Þrasi Þórólfsson directed the flow of two rivers threatening the drown nearby villages sparked the volcanic eruption of in the Mýrdalsjökull Caldera. According to the legend, a chest containing a valuable and powerful symbol of Þrasi’s magic was stored and guarded by the elves at Skogafoss until his return. Þrasi’s ring is believed to be just one small part of the treasure the sorcerer left buried and guarded behind Skogafoss but never returned to claim.
The Oak and Holly Kings
Throughout the British Isles and in some Germanic folklore, the Oak and Holly kings are ancient rivals, a timeless battle between Summer and Winter, Although both kings are sometimes depicted as older men the elemental and enduring nature of each gaining dominance only long enough until the next seasonal change. There have been some attention paid to the similarities with the ancient legend of the Horned god, or the Green Man.
Cornwall, while considered by many as a part of the UK , the Cornish people have their own unique legends and folklore Amin to The British lands. Pixies are known generally as mischievous and practical jokes. The Cornish pixies have become very popular in folklore and, where can be associated Piskies as they are often referred to in Cornwall, rare and responsible for the classic saying ‘away with the pixies.”
Piskies as they are often referred to in Cornwall, rare and responsible for the classic saying ‘away with the pixies.”
The Yuletide Troll
In Iceland, folklore and legend of trolls can be found at nearly every strange rock formation. Constant volcanic activity in Iceland has meant the these are plentiful and these formations are believed to be the mountain-dwelling trolls who were caught in the dawn sunlight, instantly turned to stone. Testimony to the Icelandic trolls versus the popular media view that they are stupid and slow-witted, is the dark yuletide legend of the troll-witch Gryla. You won’t find any stories in Iceland of red-nosed reindeer, present-making elves or a merry St. Nicholas. Instead, one of the oldest legends is Gryla and her 12 Yule lads, twelve mischievous and sinister trolls present for 12 days before and after Christmas Day, or the length of Yuletide. But on Christmas Eve, the Yule Lads’ mother leaves her mountain home to stalk the night. Gryla takes orphan children who, without the protection of hearth and home, are defenceless. Once stolen away in a sack, they are taken back to her husband in their mountain cave and cooked into a stew. For Icelandic lore, the safety of having a home, protection of family and from the harsh Icelandic winter is embodied in the threatening figure of Gryla.
The forthcoming charity anthology, Stories of Survival will be published by Deadset Press in support of Cancer Research after Australian speculative fiction author Aiki Flinthart announced her cancer diagnosis. As I was preparing this post this morning, I learned that Aiki lost her battle with cancer overnight. She will be remembered for her generous nature, sense of humour and courage. I am incredibly saddened by the news of her passing and hope my story “Three Tasks for Sidhe” and the others in this anthology provide hope in the shadows for those affected by cancer.
Details on release date for Stories of Survival, purchase links will follow. If you are interested in learning more about my story, you can do so here. Information on the wonderful Aiki Flinthart is available here including her latest edited anthology Relics, Wrecks and Ruins published during the last months of her life.
My research has been delving into the folklore of mortal dealings with the Fae. References to the performance of tasks, is common in folklore, see the Thompson Motif Index for an example of “Tests” present in folklore. In modern fantasy an traditional fairytales, three (also a commonly tool for repetition in fairytales) tasks or quests is often the number required by a mortal to complete in order to achieve the predetermined goal.
In a new short story, I was interested in presenting the three tasks in impossible nature of the Fae, tasks which no mortal could be expected to endure, or tasks which, if completed successfully, would render irreversible harm to the mortal who completed them. I was interested too, in a way the Fae might silence anyone who successfully completed the tasks and therefore, defeated them.
In choosing the mortal who could endure all manner of tasks, which would be irreversible punishments, I chose someone to whom the Fae would also inherently fear and respect to a degree. The role of bards in ancient societies was more than provide entertainment, they provided record keeping, biographical accounts of battles or certain heroes and could as easily turn opinion against someone as turn it in their favour. The traits most important to any man able to support a family including a bard, is the strength or health of his body, the fine-tuned senses of touch in hands on instruments and the ability to sing. The completion of three tasks would require the mortal to endure tests that could permanently disfigure or damage but not to outright kill. These were some of the darker aspects that impossible tasks could take when mortals made deals with the Fae, a reason why such battles were rarely won or, as my story suggested, kept silent if they did succeed.
“There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.
When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.”
I had head many wonderful things aboutSilver in the Wood, the first novella in the Greenhollow Duology by UK author Emily Tesh and decided I had to experience this for myself. I’m thoroughly pleased I did.
Silver in the Wood follows the protagonist Tobias, the so-called Wild Man of Greenhollow wood, a centuries old protector of the woodlands near Greenhollow Hall. The arrival of the new young lord Henry Silver to Greenhollow Hall begins an unexpected friendship and bond between both men. Silver is intent on discovering the many secrets of Greenhollow woods which includes the stories of a mysterious historical figure “Bloody Toby”, once accused of murder alongside a fellow criminal, Fabian. But the legends surrounding Tobias and Fabian are not entirely true, and Tobias must confront the Fae being who stalks Greenhollow wood in the guise of Fabian. For when Silver starts digging up the past, he uncovers a darkness best left sleeping beneath the woods. The promise of acceptance and romance between Tobias and Silver can only be fulfilled if Silver is saved from Fabian and Tobias must confront Fabian one last time.
Silver in the Woods explores of the mysterious folklore surrounding legends of the Fae, the Green Man and the Oak and Holly King without specifying either lore, this maintains the sense of mystery and wonder to Greenhollow. Connected to this vital part of the storyline are the vibrant characters and the deeper discussions of humanity and acceptance of the other.
A recommended read for any folklore fans, historical fantasy fans, LBGTQI readers, and readers who enjoy character diversity with vivid storytelling. A wonderful book!
I’m delighted to announce the release on 31st December, 2020 of speculative fiction anthologyUnnatural Order by CSFG. This is a fascinating collection of stories inspired by the monstrous, unnatural and the fantastic.
Featuring my own story “The Bargain”, a tale of Fae guardians and the bargains struck to assure the equilibrium between the nature, Fae and humanity. You can read more about my research for “The Bargain” here.
Are you interested in these tales of the fantastic and monstrous? More details purchasing ebook or paperback copies of Unnatural Orderhere.
This dark speculative fiction anthology on the theme of greed, a desire for material wealth or gain, ignoring the realm of the spiritual. Featuring my short story “A Handful of Dead Leaves”, the darker truth of leprechaun lore and dealings with the Fae. You can also learn about my research into leprechaun folklore here.
In Icelandic tradition, the Yule lads are thirteen trolls who arrive, one one each of the 13 days before Christmas then depart in the order they arrived, on the subsequent days following Christmas Day. On Christmas Eve, the troll witch Gryla, leaves the mountains to enter the city, seeking any children who had been ill-behaved or were without the protection of their parents. These she would take back to her mountain dwelling, cook them into a stew for her lazy troll husband.
The thirteen Icelandic Yule Lads are names for the acts they are most famously known for, often tormenting human communities. More can be found at the Smithsonian Magazine here.
Sheep-Cote Clod: He tries to suckle yews in farmer’s sheep sheds Gully Gawk: He steals foam from buckets of cow milk Stubby: He’s short and steals food from frying pans Spoon Licker: He licks spoons Pot Scraper: He steals unwashed pots and licks them clean Bowl Licker: He steals bowls of food from under the bed (back in the old days, Icelanders used to sometimes store bowls of food there – convenient for midnight snacking?) Door Slammer: He stomps around and slams doors, keeping everyone awake Skyr Gobbler: He eats up all the Icelandic yogurt (skyr) Sausage Swiper: He loves stolen sausages Window Peeper: He likes to creep outside windows and sometimes steal the stuff he sees inside Door Sniffer: He has a huge nose and an insatiable appetite for stolen baked goods Meat Hook: He snatches up any meat left out, especially smoked lamb
Candle Beggar: He steals candles, which used to be sought-after items in Iceland
Since 1746, the Yule lads became less scary, depicted as mischievous, trickster characters illustrated as jolly ‘Santa Claus-like figures’ who left gifts for the well-behaved children in their shoes and potatoes for the ill-behaved ones. In earlier times, the Yule lads were emaciated and clothed in rags. There is a current movement in Iceland to return the Yule lads to their more traditional vagabond nature, the desperate orphans who accompanied Gryla.
I’ve become fascinated by the Gaslamp fantasy subgenre lately and decided to explore it a little further in another short fiction piece, this time set in an alternate Victorian-era Dublin. The Victorian era saw the expansion of the British Empire into more countries and with it, an expansion of the arts and sciences. Coinciding with the expanding interest and enlightenment of the literature and sciences, the pre-Raphaelites, the social movement of collected artists, poets and some writers inspired by a more utopian ideal that was a counterbalance to the more confining and conservative values of the Victorian era. The development of the Industrialisation and the increasing commercialism of many once-family or artisan craftsmanship was another opposing point to the pre-Raphaelite movement and desire to escape social oppression of the increasing Industrialised era. For the Sciences, the Victorian era saw an expansion of the natural and mathematical sciences which blossomed under the Enlightenment period, the challenging evolutionary theories of Darwin and the engineering developments famous under Industrialisation being just some of the social and intellectual expansions during the Victorian age. An interest in other cultures and histories also followed with the expanding British Empire bringing the cultures of the colonies into close contact with those of Britain. Archaeology became a strong interest with Ancient Egypt a particular fascination for the Victorians.
In the recent story, I have explored some of those pre-Raphaelite social movements and the Victorian conservative social values through an alternate Dublin, the social inequalities experienced by several LGBTQI characters. The Victorian interest in Ancient Egyptian archaeology and history (Egyptology) also coincided with the development of a considerable fraudulent artefact trade alongside a trade in the more genuine artefacts. Inspired by the popular ‘urban myth’ of 1922 and the curse of pharaoh Tutankhamen tomb, I incorporate the Ancient Egyptian goddess Serket, symbolised by a scorpion, her prominence in death rituals and favoured by poisoners and assassins. The Gaslamp fantasy elements in this story include a secretive Dublin magician and a death curse. It has been a delight to write and I hope to explore some more Gaslamp fantasy stories next year.
“To protect his ward, Ciri, Geralt of Rivia sends her away from the home of the Witchers to train with the sorceress Yennefer. But all is not well within the Wizard’s Guild.
Geralt is a Witcher: guardian of the innocent; protector of those in need; a defender, in dark times, against some of the most frightening creatures of myth and legend. His task, now, is to protect Ciri. A child of prophecy, she will have the power to change the world for good or for ill — but only if she lives to use it.”
The Time of Contempt is the second novel in the epic fantasy series The Witcher by Polish author Andrzej Sapkowski following from The Blood of Elves. Continuing from the dramatic events of Blood of Elves, Ciri is apprenticed to Lady Yennefer as the sorceress attempts to determine the extent of Ciri’s magical talent and what underlying dark forces seem latent within her giving her the ability as a seer. Determined to see to Ciri’s education, Yennefer arranges for Ciri to attend training at an island tower where sorceresses like Yennefer continue to be trained. But the eve of their arrival, The Wizard’s Guild are meeting and the enclave of sorcerers and sorceresses should determine the fate and solutions for the rising chaos between the races and the coming threat of war from Nilfgaard. While Ciri is supposed to be within her tower rooms, she escapes the prison-like confines of the island and rides to where she expects to find Geralt. There among the wild lands of the coastline, the tower continues to darken her thoughts and the Wild Hunt, the harbingers of chaos and destruction join her ride. Although Ciri finds Geralt, he seems distracted and the arrival of Yennefer to return Ciri to the island does little to abate her concerns.
Yet Geralt is easily convinced by Yennefer to join her as his guest to the enclave and the meeting between the sorcerers. Despite the reunion between the two former lovers, Ciri is increasingly agitated and soon unsettling events at the tower island begin to reflect her mood. The pact and meetings between envoys for the kingdoms and their representatives of the Wizard’s Guild never eventuate with factions within the Guild tearing apart the meeting. Caught between the fighting and without a chance to flee the island, Ciri escapes up the tower to the broken portal above. The attacking faction within the sorcerers meeting also open the way for invading rebel elves and the Nilfgaardian forces to enter the island. Desperate to reach Ciri, Geralt fights his way to the tower portal where Yennefer and Ciri have reportedly fled. Mortally injured and unable to reach Ciri, it is up to her alone to arrange her own escape. As the island implodes with the magical forces and Geralt lies bleeding on the steps beyond, Ciri escapes the elven sorcerer indebted to Nifgaard by using the portal despite its instability and unlikely success.
It is into this dark new age that Ciri emerges changed. Her talents as a sorcerer now seem strangely absent after a sojourn in the wilderness where she succumbed to the temptation of the fire magic Yennefer had always forbidden her. Geralt is far from Ciri, forced to recover from his near-fatal injuries in the dryad ruled forest of Brokilon and Ciri’s true whereabouts remain unknown despite rumours that the Nilfgaard king has presented the princess of Cintra as his bride-to-be at his court. These seem but false rumours with the true Ciri having joined a rebel group of outlaws, adolescent outlaws hardened by the war and rising chaos in the world around them. To Ciri, her sense of abandonment by Geralt and Yennefer has reached a peak and this new band of friends and killers is where she feels she belongs.
A Time of Contempt was a wonderful combination of political intrigue and social history with the masterful world-building I have come to expect from Sapkowski. The detailed history of events and cultures blends seamlessly with the magical forces and structures of this fantastic world.
Another masterpiece from Andrzej Sapkowski. Highly recommended for fans of Slavic folklore, epic fantasy, Netflix The Witcher TV series and especially fans of Sapkowski’s The Witcher books. A must-read.