I am excited to announce the release of Scorpio (The Zodiac Series, #11) from Deadset Press that launched on 28th March, 2021. I had the great pleasure of co-editing this zodiac- themed anthology featuring short stories inspired by the Scorpio zodiac including my Gaslamp fantasy story “Serket’s Curse”. You can read more about my research into Egyptology and the creation of an alternate Victorian era Dublin here.
If you are interested in purchasing an ebook or paperback copy of Scorpio (The Zodiac Series, #11) you can find more details here.
Thrilled to announce the release of Avenge (Five Hundred Fiction, #2) on 23rd March, 2021. This flash fiction anthology published by Black Hare Press on the theme of superheroes and villains features my dark fantasy, anti-hero story, “The Hero of Silversmiths”. You can read more about that here.
If you’re interested in reading this great collection of superhero-supervillains inspired stories, you can find more details on purchasing ebook and paperback copies here.
Pleased to announce the release on 22nd March, 2021 of micro-fiction anthology Lost Lore and Legends published by Breaking Rules Publishing Europe and featuring five of my 100 word drabbles inspired by European folklore and mythologies.
Lost Lore and Legends explores a variety of legends, mythologies and folklore from European tradition. Two of my drabbles, “The Troll-Witch” and “The Elf Stone” were inspired by Icelandic folklore and legend, “The Seelie Court” was based on Scottish Fae folklore, while “Pixie-Touched” explores the dark Cornish lore of pixies and madness, and “Oak and Holly” tells of the physical manifestation of the summer and winter kings, forever duelling for supremacy. If you are interested in the research behind these five drabbles, you can read more here.
Interested in purchasing an ebook, paperback or limited hardback edition of Lost Lore and Legends? More details and links can be found here.
Pleased to announce my flash fiction story “The Eldritch Wood” will feature in Watch (Five Hundred Fiction, #3) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by the theme of stalking. My flash fiction story “The Eldritch Wood” is inspired by gothic folklore of forests and dangers of the Fae beings.
Pleased to announce my flash fiction story “The Hero of Silversmiths” will feature in Avenge (Five Hundred Fiction, #2) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by the theme of heroes, anti-heroes or villains.
I am very pleased to announce my microfiction pieces will feature in Lost Lore and Legends to be published by Breaking Rules Publishing Europe! Lost Lore and Legends anthology will consist of 100 word “drabbles” or microfiction pieces inspired by European folklore, legends and mythologies.
Five of my microfiction pieces will be featured, including original microfiction such as “The Troll-Witch”, “The Seelie Court”, “The Elf Stone”, “Pixie-Touched”, and “The Oak and Holly Kings”. You can read more about the research behind these microfiction stories here.
More details will follow on release dates for Lost Lore and Legends and where ebook and paperback copies can be purchased. Check my Short Fiction Publications for purchase links and further details.
The past several weeks, I have been exploring many different aspects of European folklore, particularly involving the Fae. Below is a series of some of my research favourites, fae beings and associated folklore.
Seelie and Unseelie Fae
In Scotland, the Fae are often divided into the Seelie and Unseelie courts, or the Light and Dark , respectively. Unlike the Irish Fair Folk, the Seelie and Unseelie beings follow a stricter divide, those fae which are malevolent are found in the Unseelie Courts, while those who are more kindly toward mortals such as brownies (but like all fae beings, this does not mean there is no in dealing with the seelie. Just with all Fae beings in Icelandic, Irish and Welsh folklore, the tendencies of the Fae are not comprehensible by mortal means and their own needs will almost always take precedence.
In Iceland, elves are an integral part of Icelandic culture with folklore infused throughout everyday Icelandic life. Elf-stones as they are sometimes called are believed to be doorways to the underground realms and otherworldly lands where elves dwell. The disturbance of an elf-stones is often considered a major concern with recent road construction and a series of disasters befalling the site, workers and nearby region occurring when a recognised elf-stone was moved. Subsequently, the stone was relocated and the course of the highway adjusted to avoid disturbing the area further.
In Icelandic legend, the renowned waterfall Skogafoss, a spectacular waterfall in southern Iceland, fed by glacial melt is also associated with a legend of elves, buried treasure and the founding of the Icelandic landscape. A Viking Age sorcerer, Þrasi Þórólfsson directed the flow of two rivers threatening the drown nearby villages sparked the volcanic eruption of in the Mýrdalsjökull Caldera. According to the legend, a chest containing a valuable and powerful symbol of Þrasi’s magic was stored and guarded by the elves at Skogafoss until his return. Þrasi’s ring is believed to be just one small part of the treasure the sorcerer left buried and guarded behind Skogafoss but never returned to claim.
The Oak and Holly Kings
Throughout the British Isles and in some Germanic folklore, the Oak and Holly kings are ancient rivals, a timeless battle between Summer and Winter, Although both kings are sometimes depicted as older men the elemental and enduring nature of each gaining dominance only long enough until the next seasonal change. There have been some attention paid to the similarities with the ancient legend of the Horned god, or the Green Man.
Cornwall, while considered by many as a part of the UK , the Cornish people have their own unique legends and folklore Amin to The British lands. Pixies are known generally as mischievous and practical jokes. The Cornish pixies have become very popular in folklore and, where can be associated Piskies as they are often referred to in Cornwall, rare and responsible for the classic saying ‘away with the pixies.”
Piskies as they are often referred to in Cornwall, rare and responsible for the classic saying ‘away with the pixies.”
The Yuletide Troll
In Iceland, folklore and legend of trolls can be found at nearly every strange rock formation. Constant volcanic activity in Iceland has meant the these are plentiful and these formations are believed to be the mountain-dwelling trolls who were caught in the dawn sunlight, instantly turned to stone. Testimony to the Icelandic trolls versus the popular media view that they are stupid and slow-witted, is the dark yuletide legend of the troll-witch Gryla. You won’t find any stories in Iceland of red-nosed reindeer, present-making elves or a merry St. Nicholas. Instead, one of the oldest legends is Gryla and her 12 Yule lads, twelve mischievous and sinister trolls present for 12 days before and after Christmas Day, or the length of Yuletide. But on Christmas Eve, the Yule Lads’ mother leaves her mountain home to stalk the night. Gryla takes orphan children who, without the protection of hearth and home, are defenceless. Once stolen away in a sack, they are taken back to her husband in their mountain cave and cooked into a stew. For Icelandic lore, the safety of having a home, protection of family and from the harsh Icelandic winter is embodied in the threatening figure of Gryla.
Melissa has a happy marriage but her everyday life is a constant battle against pain. She discovers that her artwork can produce magic, prompting her to apply for an artist’s retreat to a mysterious country house. Her old schoolfriends Bettina and Zelda are also at the same retreat. But neither the house nor their friendship is what they think. A mystical library, rapacious shadows, and keys to otherworldly rooms are the links to saving the house from destruction.
A unique fantasy about people whose stories, with all their oddity and excitement, seldom make their way into novels.”
Borderlanders by Australian author Gillian Polack, a contemporary Fantasy and magical realism, introduces the theme early with reference to the Celtic belief in the liminal worlds, and the ability to pass between the past, present, future and other. It is on this premise that Borderlands, as the title suggests, builds its narrative between realities, time and perceptions.
Partially narrated in first-person through the protagonist, Melissa, a happily married, middle-aged artist who’s life is consumed by disabling chronic pain with her artwork providing her only escape and a very real magic. Upon successfully receiving a scholarship to attend a creative retreat in the Southern Highlands of NSW, in a small misty town of Robertson, Melissa finds herself reunited with her old school friends, Bettina and Zelda, both also attending the retreat. The location of the retreat is a rambling estate, a country house that sprawls beyond the mere concept of walls and mortar and where shadows, past and future entwine the characters.
Unlike Melissa, who is narrated in first-person, Bettina and Zelda are narrated through the third-person. This intentional shift from first-person to third-person has the desired effect to separate the reader from Zelda and Bettina, but the unintentional effect of blending their characters to the point of often being indistinguishable in personality (but not history), while Melissa remains isolated, removed and never feeling fully integrated into the story. This may be intentional as Zelda remarks early in the novel when she is lecturing on the Celtic belief in liminality, the concept of worlds and perceptions alongside our own, where the Celtic belief that people could slip into the Otherworld or mortals could be stolen by Fairies, very few ever being returned again. In this sense, Melissa feels like a character that has been stolen by Fairies, existing outside the reality that Bettina and Zelda occupy, but connected to it through a shared and often obsessive focus on small details. This obsession unites all characters, perhaps to indicate their creative personality, but feels far too repetitive, and distracts from the storyline and purpose, too often pulling attention away from the characters, their goals and actions.
Borderlanders was an interesting exploration of the concept of a liminal reality, where perceptions and magic, combine in unique ways that twist the fabrics of reality as we understand it.
** I received a free copy from the publisher in return for an honest review **
The forthcoming charity anthology, Stories of Survival will be published by Deadset Press in support of Cancer Research after Australian speculative fiction author Aiki Flinthart announced her cancer diagnosis. As I was preparing this post this morning, I learned that Aiki lost her battle with cancer overnight. She will be remembered for her generous nature, sense of humour and courage. I am incredibly saddened by the news of her passing and hope my story “Three Tasks for Sidhe” and the others in this anthology provide hope in the shadows for those affected by cancer.
Details on release date for Stories of Survival, purchase links will follow. If you are interested in learning more about my story, you can do so here. Information on the wonderful Aiki Flinthart is available here including her latest edited anthology Relics, Wrecks and Ruins published during the last months of her life.
“Long ago, a good man transgressed and was brutally punished, his physical form killed and his soul split asunder. Now, one half of his ancient soul seeks to reunite with its lost twin, a search that leaves murder in its wake… In the streets of modern day Sydney a killer stalks the night, slaughtering innocents, leaving bodies mutilated. The victims seem unconnected, yet Investigating Officer Ivory Tembo is convinced the killings are anything but random. The case soon leads Ivory into places she never imagined. In order to stop the killings and save the life of the man she loves, she must reach deep into her past, uncover secrets of her heritage, break a demon’s curse, and somehow unify two worlds.”
I recently readIvory’s Story by African-Australian author Eugen Bacon after readings several reviews and the description roused my interest in this unique speculative fiction novella set in Australia.
The protagonist of Ivory’s Story is female detective Ivory Tembo who has the unhappy task leading the failing investigation into a series of grisly murders of high-profile men in sexually explicit ways in Sydney, Australia. Raised as an orphan and without knolwedge of her family, Ivory has only the unusual opal amulet from her mother to link her to true heritage. Determined to solve the killings and discover her identity, Ivory is directed to a seer at Orange Crater in the northern-central Australia.
The long travel to Orange Crater, Ivory finds her mother also visited but finds no trace of any other family ties only a strong affiliation with a cranky medicine woman. Under the guidance of this medicine woman, Ivory learns how to defeat and stop the murders and the reasons behind the gruesome killings. The medicine woman explains a past tragedy involved an exiled son of a medicine man. This son harboured a rare gift of twin-souls but when accused of stealing a Chieftain’s daughter, his execution does not kill him but does separate his souls, causing one to remain forever within his body, the other to always seek to return. For Ivory, she must re-unite the twin souls after centuries and dimensional planes apart if she is to save the man she loves and stop the killings.
A combination of beautifully written prose and vivid descriptions of the Australian and inter-dimensional landscapes, Ivory’s Story also features a cast of well-defined characters and refreshingly strong female characters. Although, there are sections of the novella that seem to drift from the central focus of the story and can detract from its purpose, leaving me wanting more about Ivory’s detective work and development as a seer, the strong weird fiction themes do not make this feel like a true flaw, more like a necessary element of the weird fiction style.
Ivory’s Story is recommended for its beautiful prose and strong female characters. Readers will be certain to enjoy a cultural odyssey for those familiar and new to both the weird and speculative fiction genres.