Short Fiction, stories

Reimagining Arabian Nights

One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.

In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.

Short Fiction, Writing

Reimagining Red Riding Hood


Recently I have been exploring the concepts behind the Red Riding Hood fairytale. There are two main versions I have used as inspiration for writing a new short story. The version by Charles Perrault called “Little Red Riding Hood” and the version by Jacob and Wilhelm Grimm called “Little Red Cap”. Both examine a young girl who is travelling through the woods and meets a charming stranger who tries to lead her astray. Both versions also share a dark undertone, the stranger portrayed as menacing despite his charming words.

When writing my short story, I wanted to delve into the concept of the forest as a dangerous place, sinister and treacherous for those uninitiated. In my recent reimagining of the red riding hood tale, I’ve included the concept of an unwary youth and the historical setting of pre-Napoleonic France. I’ve included some more modern interpretations like the werewolf folklore of the French “loup-garou” and explored sensitives around homosexuality, the sheltered son of a Marquis seduced by an eloquent nobleman. Here, the passage between innocence and experience of the adult world is represented by the transference of the werewolf curse. This was a complex story to write, delving some darker elements, both historical and modern sensitivities of seduction, society and acceptance of LGBTQI individuals throughout history and still today.

Long Fiction, Writing

Reimagining Trickster lore & legend


My current work-in-progress novella explores trickster lores and legends in two different cultures, Old Icelandic and Australian First Nations.

I have a keen interest in Tricksters, and in this novella, I have been exploring two Trickster figures from very different cultural backgrounds: Loki from Old Norse legend and Crow, present in many Australian First Nations cultures.

The focus of the novella is on Loki his customary role of physical transformation which is also shared with Crow and, incidentally, many other Trickster figures like Coyote and Raven from North American First Nations among others.

This work-in-progress is not a retelling of any specific legends but is a reimagining inspired by the lore and legends surrounding the Trickster figures of Crow and Loki.

research, Short Fiction, Writing

Gothic Folklore of the Shipwreck Coast

In a recent story, I explored one of the worst shipwrecks that occurred off south-eastern Australia, a notorious stretch of coast known as the “shipwreck coast”. I have been fascinated by the history behind a treacherous, narrow bay, the Loch Ard Gorge named after the 1878 shipwreck of the Loch Ard merchant ship, one of the Australia’s deadliest shipwrecks, where only two survived from the 54 on board.

Loch Ard Gorge is located near Cape Otway on the south-eastern Australian coastline where the infamous southern Ocean has eroded the sandstone coastline creating many the natural rock formations including the ‘twelve apostles’ along the Great Australian Bight. This region is prone to storms and pounding surf from the Antarctic, and rich marine ecosystems of great white sharks, seals, whales, dolphins and many species of fish and other marine life. This thriving region is also home to more than two hundred shipwrecks during Australia’s colonial history, a short span of time compared to the sixty thousand years of indigenous occupation.

In writing my own fictionalised account of this historic event, I imagined a third survivor, one who fled England for Melbourne undetected, a damned soul for who must eventually pay their due. I was inspired and fascinated by the gothic folklore of the sea, damned sea voyages encapsulated in Samuel Taylor Coleridge’s epic poem The Rime of the Ancient Mariner, and Homer’s The Odyssey among others.

Short Fiction, Writing

A World of Imagination

I recently wrote my first flash fiction piece for children and young adult readers. This was a challenge for me with my usual writing themes exploring the darker side of fiction and best suited to adult readers.

In writing my flash fiction piece, I drew on some of the most influential children’s fiction to develop my own story, one that had deep roots in my personal experiences and one I hoped would resonate with children experiencing bullying and coping with being different. In telling this story, I wanted to channel the reality of these extremely difficult daily experiences and also to show how being different is a hidden strength.

Some of my inspiration for my own story was was Alice in Wonderland, The Secret Garden, The Chronicles of Narnia. These classic children’s fiction all feature protagonists exploring magical worlds hidden to all but them while escaping a harsher reality that exists beyond the borders of the their fantasy world.

Short Fiction, Writing

A LGBTQI Fairytale Retelling

One of the stories I have been working on recently was retelling a fairytale with an LGBTQI focus. There have been several recent explorations transposing gender roles in fairytales, but I wanted to draw attention to the inclusivity of love and also retell a fairytale that could highlight struggles for LGBTQI community both past and present.

I recently came across a gorgeous fairytale retelling in French Fairy Tales by Sophie Masson and illustrated by Lorena Carrington titled ‘The King of Crows’. This fairytale was new to me and I loved it’s complex themes, the parts of other tales wound into it in such a unique way. It was a vibrant fairytale with elements that were part-quest, part-curse and transformation.

In my own retelling, the sorcerer curses a queen for her refusal to submit to him and refusal to marry him and is transformed into a crow along with the subjects of her kingdom. Under the strict rules of the curse, the crow queen must find her true love but cannot be seen in her human form at night. The queen finds her true love, a young musician playing in the forest one day, a woman like herself who has no desire to marry a man and be a wife or mother. This unlikely union becomes true love and they marry under the Queen’s decree, but the consort cannot keep her curiosity at bay and seeing the Crow Queen by moonlight. The Sorcerer comes victorious to claim the Crow Queen, taking her far away to be isolated forever. Desperate to save her Queen, the consort consults a fae being who tells her how to find her Queen, beyond the moon and sun, to a land untouched by light and gives her a pair of iron shoes to wear. She will know her queen is near when the iron shoes break, and know she has found her queen when the blue grasses sing. The Consort begins her quest and long trek until the prophesied words become true and she rescues her queen, no longer a crow, the lovers are reunited.

Long Fiction, Writing

A Dystopian History

One of my works-in-progress has been a dystopian novella. While many dystopian stories and novels explore the future, I was interested in combining a dark fiction genre with alternate history, to ask what if our present never happened?

In developing my own tale, I was inspired by those classic dystopian tropes we are already familiar, with and have been imagined, classic novels like 1984 by George Orwell and The Stand by Stephen King which were my first introduction to dystopian literature and dark fiction. In considering modern history, I focused on scenarios that most-closely mirrored those classic dystopian futures which are already familiar to most readerships.

The events of the First World War were a turning point in modern history, where wars were fought on a global scale for the first time, the speed of development from the Industrial Revolution had a profound impact on the natural landscape and the capacity for mechanised warfare, casualties were high, chemical warfare was employed, and the occurrence of the 1918 Flu pandemic also incorrectly called the “Spanish Flu”.

The horrors of the First World War were catastrophic for those who survived and as a historical legacy. In modern history, it is often considered a turning point. After the First World War, the course of humanity was forever altered, a reality that affects our present, and likely, our future.

Short Fiction, Writing

Vampire Folkore

Vampires are one of the most common and popular themes in horror fiction. An enduring trope that continues to fascinate readers throughout the generation. But how do we imagine vampires? How do our ideals compare to the original vampires of folklore? The Succubi of Ancient Greece and Rome, and the haunting vampires of Slavic cultures throughout Eastern Europe.

Before the publication of Bram Stocker’s Dracula, the majority of vampires in prose or poetry were based on vampiric folklore, particularly from Slavic cultures, where vampires were almost always female. The recent popularisation of vampires in literary fiction and film has seen a reversal of the vampire identity where the vampire is now more often male and female vampires are a rarity.

Two of my recent microfictions will feature in Blood Lust by Black Ink Fiction. “The Hungering” focuses on a young female vampire, portraying her as the traditional vampire, a seductively dangerous predator but one who grapples to control her nature and blood lust. “The Burial” is a different look of vampiric folklore, instead focusing on an archaeological excavation and the discovery of a suspected vampire burial, the beliefs of the historical culture and the superstition of the modern cultures, a linking across time based on the strong belief and fear of vampires.

Short Fiction, Writing

Forthcoming: Zombie Anthology


Disclaimer: I am genuinely creeped out by zombies.

Infection (Legends of Night Drabbles, #1) from Black Ink Fiction was an unlikely theme for me, but I am excited to say, I’ll be a featured author in this zombie/walking undead microfiction anthology. My 100 word drabble “The Revenants” is a dark fiction inspired by witchcraft, reanimation and the consequences of meddling with the fabric between life and death.

Keep a close eye on updates for more details on release date of Infection (Legends of Night Drabbles, #1) coming in 2021.

Short Fiction, Writing

Dark Fantasy Assassins


There’s any number of great epic dark fantasy books and series that explore the darker nature of humanity from the point of mercenaries, assassins and anti-heroes.

I decided to delve into some of that inspiration and an anti-hero protagonist in a flash fiction story. What motivates characters to choose a darker path? Does the morally ambiguous road they follow trouble their conscience?

The result was an interesting character with a psyche primed to survive, whatever the cost. A “riches-to-rags” story in the underbelly of a fantasy metropolis where the only ones imagining a hero are dependent on an anti-hero to survive. “The Hero of Silversmiths” will feature in the Avenge (Five Hundred Fiction, #2) Anthology, coming soon in 2021.