I recently finished a novella inspired from my initial research for my latest novel draft Ragnarok Dreaming into Norse mythology and Australian Aboriginal legends. On the surface, there might seem little in common between the Viking legends and those of the oldest continuous culture on the planet. The purpose of the novella was not to re-tell any stories or legends, because these are not my ancestry nor mine to tell, instead, I wanted to explore the common elements shared between them. The themes that unite all humanity across time and place. In this, I was drawn as I often am, to the fascinating Trickster figures in legends and stories throughout the world. In Norse mythology, Loki is the Trickster figure and protagonist of the novella relocated into a cosmos inspired by Australian dreaming stories. The Trickster figure who aids Loki is Wahn, the Crow in many Aboriginal legends. The novella was a re-imagining of the parallels and opposites in legends and myth, expanding on what was interesting research for Ragnarok Dreaming.
In early September 2019, I visited Iceland as part of my writing research into Norse mythology, Viking Age history. The role of the landscape has been important in shaping the Icelandic legends and I was fortunate enough to see some of the archaeological and cultural history as well as those in the natural landscape. On a tour of the unique southern Icelandic landscape, I visited iconic waterfalls, glaciers, black sand beaches, glacial lagoons and rode Icelandic horses.
Reynisfjara beach is located southwest of Vik on the southern Icelandic coast. The popular site was busy when I visited despite the incoming autumn storm. Reynisfjara beach has the iconic black volcanic sand of Icelandic beaches and the larger stones frequently washed ashore from volcanic eruptions and subsequent floodwaters carrying debris from the coastline into the ocean. Reynisfjara is also known for the large basalt stone pillars off the coast, remnants of ancient cliffs before sea level changes over millenia have eroded them into current form. These pillars and the nearby cliffs are associated with many Viking Age legends and myths.
The unusual basalt pillar-like formations of the cliffs on Reynisfjara beach are a popular attraction. These distinctive columns have such a uniform appearance that it is hard to remember they are created by natural geological processes and not by human hand.
In many Icelandic legends and folklore, the caves at Reynisfjara beach were thought to be the work of the dark elves (dwarves), and mark the entrance to undergournd passages where the Hidden dwell. Seeing the distinctive cliffs and caverns for myself, I can readily imagine how such caves would be an entrance to Svartalfheim itself.
The Reynisdrangar sea stacks are large basalt pillars located off the shore of Reynisfjara beach. One of the legends surrounding these twin pillars is that they are actually trolls who were wading out into the ocean and caught by the sun’s rays. In Icelandic folklore, trolls are unable to tolerate sunlight and are immediately transformed into stone. These twin stone pillars represent two trolls who failed to return to the sea cave before first sunlight.
On the opposite end of the Reynisfjara beach is another of the unusual sea stacks, this one is furthest from the coastline at the southernmost tip of the Arch of Dyrhólaey. This stone formation has another legend, also about an unlucky troll transformed to stone. In this folktale, the troll was late returning from a sea voyage and has been caught by the sunlight while still hauling his boat onto the shore. Both the boat and the troll have been turned to stone, forever petrified in place.
One of the most striking things about Reynisfjara beach was the unpredictable ocean. For visitors, there are warning signs about the dangers of wave surges onto the shore which are unpredictable and have been known to drag groups of unwary tourists out into the freezing waters which are dangerous with rips and strong currents. On the day I visited, a storm was blowing off the coast and the surge of the waves was unpredictable which only increased the unusual sense of wildness about the place. A magical part of Iceland but one requiring great respect and vigilance.
HERE WE COME, BURIED OR NOT!We’re very pleased to announce the final ToC for Trickster’s Treats #4 – Coming, Buried or Not!, edited by Louise Zedda-…Trickster’s Treats #4 Announcement!
I recently finished writing a short story continuing my fascination with Victorian science. I focused on the anatomical sciences that inspired many gothic and urban folklore of the Victorian era. Some of the most classic Victorian era gothic tales including Frankenstein and Dracula involve the unease in Victorian society about the dead, superstition, burial practices in an era governed by religion but embarking on the Enlightenment period. Into this societal unease came the expansion of the Sciences but also the Industrial Revolution. The challenges to mind, body and physical environment were no doubt confronting. My short story explored some of these concepts from the perspective of an anatomist tasked with examining a set of twisted bones returned from a disastrous archaeological excavation into an ancient limestone quarry purportedly cursed.
Tick Tock (Five Hundred Fiction, #1) from Black Hare Press is a new collection of flash fiction with each story inspired by the theme of time travel and exactly 500 words.
My flash fiction piece “Second Chances” is about a desperate escape from a battle-ruined future into an ancient past. Time-travel is not restricted to science-fiction with my flash fiction drawing on the folklore and mystery of standing stones and stone circles to transport people to other worlds or times.
Keep an eye out for more updates on release dates for Tick Tock and where to buy ebooks and paperbacks.
I am pleased to announce another forthcoming publication with news my short story “A Handful of Dead Leaves” will feature in the Greed (#5, Seven Deadly Sins) series by Black Hare Press. Like all the stories in this anthology, Greed is the central theme with my story exploring the darker side of leprechaun folklore where securing good fortune is always double-edged. You can read more about the research for this story here.
Stay tuned for an update on the release date and for how to purchase this dark speculative fiction anthology!
In a recent short story, I explored the accounts in Norse mythology about Ragnarok, the final battle fought between the giants and the gods. Similar to my recently finished draft novel Ragnarok Dreaming, this story is a retelling of battle of Ragnarok from the perspective of Loki. My research drew on the classic texts, The Poetic Edda and Prose Edda and possible motivations behind Loki’s treachery and murder of Odin’s son Baldr. The story is an account of the aftermath of Loki’s fateful actions, deceit of Baldr’s blind brother Hodr, who shoots the arrow Loki has given him, the only item in the Nine Worlds Loki knows is capable of killing Baldr. For Loki, the subsequent capture and imprisonment by the Aesir, the torture and binding underground are when the schism between Odin and Loki seems to really occur. In this story, my retelling explored what possible motivations had led Loki to murder Baldr even via a-proxy, knowing Odin’s trust in him would be broken forever. The outcome of Ragnarok had been foretold by the witch Gullveig to Odin in Loki’s presence eons before when even Odin’s considerable foresight would prove unable to avoid the fatal confrontations between foes and inevitable deaths on both sides of the battlefield. If the doom of the gods and giants had been so securely foretold, this story explored what events could have led to Loki’s irredeemable actions and final rebellion against Odin.
In July 2020, my Gaslamp fantasy “The Golden Lion-Monkey” was published in short story anthology Leo (The Zodiac Series, #8) by Deadset Press. When not exploring myth and history, I am pursuing a PhD in human and primate evolution. When writing “The Golden Lion-Monkey”, I’ve combined my interests in history and fantasy fiction with my expertise in evolutionary Primatology.
My main character Rosanna Corrano is a wealthy heiress but in my alternate Victorian era society, she can keep her inheritance only through marriage and where the inheritance becomes the property of her her future-husband. Rosanna has long been struggling against societal confines and developed an alternate male persona, Dr Leo who as a man the Victorian society can achieve the education, respect and freedom that Rosanna cannot. Through courtship with a wealthy man, an owner of a London printing press, Rosanna begins to realise her persona as Dr Leo is not entirely fictitious, she is both Rosanna and Leo, her existence has become a duality.
In my story “The Golden Lion-Monkey”, my inspiration for a female scientist in the Victorian era was in-part drawn from the historical figure of fossil hunter Mary Anning. Like many women of her time, without money, social status and a husband, Mary Anning had few options. She was very poor and unmarried but she supported herself by selling shells on the Lyme Regis coast in Dorset county. She was also involved with providing ancient fossils she discovered on the Dorset coast to male scientists. Her expertise at fossil hunting was so good that many scientists owed careers and great discoveries to her and she was consulted for her knowledge of the anatomy in many of the giant fossil marine vertebrates she discovered. Victorian society prevented Mary from being a member of the Geological Society (women weren’t admitted until 1904) nor could she be a professional natural scientist like her male counterparts. But even in her lifetime, her significant contribution was recognised with the members from the British Association for the Advancement of Science and the Geological Society of London arranging payment of an annual stipend to support Mary. Despite this, she was not listed as an author on any of the scientific discoveries she contributed to. Although some women in Victorian society did have careers as authors, artists and scientists, they were few and often socially ostracised for the choice. It is certainly true that higher social status and wealth allowed more independence over the uncertainty of survival. Ada Lovelace was the daughter of English poet Lord Byron and Annabella Byron and an engineer, inventor, author and mathematician, but her individual circumstance was very rare.
In the confines of society where women were unable to support themselves without a husband or pursue a life of their own, I drew inspiration for my character of Rosanna from female historical figures who disguised themselves as men to either pursue a employment, express their sexual orientation and in some cases marry or to embrace the duality of their own gender. I was initially inspired by the historical fiction novel Goddess by Kelly Gardiner which explores some of the life of seventeenth century Frenchwoman Julie d’Aubigny.
In my story, “The Golden Lion-Monkey”, Doctor Leo describes a new species of monkey from the Brazilian jungles, refuting claims by other scientists that such a marvellous creature must be Fae in origin. The other scientists consider the tiny monkey so impossibly unique it must be Fae rather than a non-magical creature. Among the scientists, Doctor Leo considers the uniqueness of the lion-monkey as a wonder itself, beyond any magic.
The inspiration for the monkey described in my story comes from a real-life tiny primate native to the jungles of Brazil. Although I have changed the scientific name of the monkey described in my story, the tiny monkey closely resembles the highly endangered Golden Lion Tamarin found in the jungles surrounding Rio de Janero, Brazil. The plight of these tamarin monkeys is dire with latest estimates suggesting as few as 1,400 adults in the wild. This species of tamarin is not found anywhere else in South America and their numbers are decreasing.
My Gaslamp fantasy “The Golden Lion-Monkey” is published in Leo (Zodiac Series, #8) by Deadset Press alongside other great speculative fiction from Australian and New Zealand authors.
I am pleased to announce my Gaslamp Fantasy story “The Golden Lion-Monkey” will be published in the forthcoming speculative fiction anthology Leo (Zodiac Series, #8) inspired by the Zodiac and published by Deadset Press from Aussie Speculative Fiction.
Leo (Zodiac Series, #8) is available now for preorder and will be released as an ebook from 25th July featuring many other great speculative fiction stories and poems from Australian and New Zealand authors.
I have been interested by several different stories recently in the Alternate History subgenres of Steampunk and Gaslamp Fantasy. My latest short story draws on my academic knowledge of the Victorian era expansion in science and natural history. Gaslamp Fantasy is a subgenre I really enjoy and was inspired to write an alternate history exploring Victorian London society, the beginnings of the Industrial Revolution, emergence of modern sciences and the continuation of Fae creatures amid an expanding British Empire and colonisation. The Victorian era saw the beginning of Industrialisation, women’s liberation movements but also technological advancement, interest in the natural sciences and geological age of the planet. This is only some of the context for a story exploring social expectations and a female heiress who moonlights as a male scientist and a purported new species of tree-dwelling, cat-sized Fae lion.