I am pleased to announce my horror story “Them” will feature in Wrath (Seven Deadly Sins, #7) Anthology published by Black Hare Press. As with other stories in this anthology, Wrath is the common theme. My short story “Them” is a psychological horror, inspired by history of criminal theory and demonic possession where aberrant psychology in past eras has been attributed to demons manipulating humans toward violent behaviour. If you want to know more about the inspiration and research behind the story, you can do so here.
I have recently finished writing a psychological horror short story inspired by the theme of wrath. My recent story focused on an unlikely suspect for a violent crime spree to explore the intersection between modern and past perspectives of criminal theory, such as aberrant psychology currently explaining what past eras accredited to demonic possession. The foundations of my short fiction developed from demonology resources, often examining demons from different cultures and the specific traits and proclivities associated with each of them, including the possession and influence of human emotions and actions like anger, violence, war, deception and murder.
I am pleased to announce the acceptance of another flash fiction piece in a forthcoming dark fantasy anthology from Black Hare Press.
My story “Poisoned Fruit, Poisoned Reign” will feature in Reign (500 Word Fiction Series, #7 inspired by poisoned apple folklore exploring betrayal and a cursed reign. You can read more about the inspiration behind “Poisoned Fruit, Poisoned Reign” here. Follow my blog for updates on the release date for Reign from Black Hare Press!
I recently finished writing a short fiction piece inspired by poisoned apple folklore and legends, the most familiar being the story “Little Snow-White” published by Wilhelm and Jacob Grimm in Children’s’ and Household Tales (commonly known as Grimm’s Fairy Tales) between 1812-1814 . There are, of course, countless folklore and folktales surrounding betrayals and murder often delivered through gifting a consumable item. The apple or similar fruit in folklore is often connected with a betrayal which can be symbolised by a literal poisoned fruit, a cursed future and sometimes, by both. In my short fiction piece, I explored this concept through the idea of dynasty, a kingdom dependent on a ruling dynasty who renew their pledge to withhold their birthright, the use of magic except by the Queen in defence of the kingdom. As with many folktales, civil unrest leads to the Queen’s betrayal, in my short fiction, by her own sister where betrayal sets in motion a greater chain of reactions. I wanted to explore the role of the Queen, in seeking retribution for her betrayal how extensive a curse might be when her vengeance is levelled against her sister’s reign.
I recently finished writing a flash fiction story inspired by European Neolithic stone circles and folklore. Common to the folklore of standing stones is an aspect of temporal planes, the shifting of time connecting the Fae to disappearances, madness and re-appearances many years later. In my own short fiction, a liminal temporal plane joins Europe in the 1940s to the Neolithic connected by the standing stones. I explored the effects of warfare on the European landscape where in the present day, traces of that destruction are still in evidence from trench warfare tactics. I was interested in accidental time travel where folklore often links the unintended passage of mortals into the fairy realm often at heightened emotional or astronomical times. The story focused on fleeing pursuit through an unrecognisable landscape scarred by war, the liminal connection between times linked by the standing stones allowing a successful escape into the Neolithic and the newly constructed stone circle.
I recently finished a novella inspired from my initial research for my latest novel draft Ragnarok Dreaming into Norse mythology and Australian Aboriginal legends. On the surface, there might seem little in common between the Viking legends and those of the oldest continuous culture on the planet. The purpose of the novella was not to re-tell any stories or legends, because these are not my ancestry nor mine to tell, instead, I wanted to explore the common elements shared between them. The themes that unite all humanity across time and place. In this, I was drawn as I often am, to the fascinating Trickster figures in legends and stories throughout the world. In Norse mythology, Loki is the Trickster figure and protagonist of the novella relocated into a cosmos inspired by Australian dreaming stories. The Trickster figure who aids Loki is Wahn, the Crow in many Aboriginal legends. The novella was a re-imagining of the parallels and opposites in legends and myth, expanding on what was interesting research for Ragnarok Dreaming.
In early September 2019, I visited Iceland as part of my writing research into Norse mythology, Viking Age history. The role of the landscape has been important in shaping the Icelandic legends and I was fortunate enough to see some of the archaeological and cultural history as well as those in the natural landscape. On a tour of the unique southern Icelandic landscape, I visited iconic waterfalls, glaciers, black sand beaches, glacial lagoons and rode Icelandic horses.
Reynisfjara beach is located southwest of Vik on the southern Icelandic coast. The popular site was busy when I visited despite the incoming autumn storm. Reynisfjara beach has the iconic black volcanic sand of Icelandic beaches and the larger stones frequently washed ashore from volcanic eruptions and subsequent floodwaters carrying debris from the coastline into the ocean. Reynisfjara is also known for the large basalt stone pillars off the coast, remnants of ancient cliffs before sea level changes over millenia have eroded them into current form. These pillars and the nearby cliffs are associated with many Viking Age legends and myths.
The unusual basalt pillar-like formations of the cliffs on Reynisfjara beach are a popular attraction. These distinctive columns have such a uniform appearance that it is hard to remember they are created by natural geological processes and not by human hand.
In many Icelandic legends and folklore, the caves at Reynisfjara beach were thought to be the work of the dark elves (dwarves), and mark the entrance to undergournd passages where the Hidden dwell. Seeing the distinctive cliffs and caverns for myself, I can readily imagine how such caves would be an entrance to Svartalfheim itself.
The Reynisdrangar sea stacks are large basalt pillars located off the shore of Reynisfjara beach. One of the legends surrounding these twin pillars is that they are actually trolls who were wading out into the ocean and caught by the sun’s rays. In Icelandic folklore, trolls are unable to tolerate sunlight and are immediately transformed into stone. These twin stone pillars represent two trolls who failed to return to the sea cave before first sunlight.
On the opposite end of the Reynisfjara beach is another of the unusual sea stacks, this one is furthest from the coastline at the southernmost tip of the Arch of Dyrhólaey. This stone formation has another legend, also about an unlucky troll transformed to stone. In this folktale, the troll was late returning from a sea voyage and has been caught by the sunlight while still hauling his boat onto the shore. Both the boat and the troll have been turned to stone, forever petrified in place.
One of the most striking things about Reynisfjara beach was the unpredictable ocean. For visitors, there are warning signs about the dangers of wave surges onto the shore which are unpredictable and have been known to drag groups of unwary tourists out into the freezing waters which are dangerous with rips and strong currents. On the day I visited, a storm was blowing off the coast and the surge of the waves was unpredictable which only increased the unusual sense of wildness about the place. A magical part of Iceland but one requiring great respect and vigilance.
I recently finished writing a short story continuing my fascination with Victorian science. I focused on the anatomical sciences that inspired many gothic and urban folklore of the Victorian era. Some of the most classic Victorian era gothic tales including Frankenstein and Dracula involve the unease in Victorian society about the dead, superstition, burial practices in an era governed by religion but embarking on the Enlightenment period. Into this societal unease came the expansion of the Sciences but also the Industrial Revolution. The challenges to mind, body and physical environment were no doubt confronting. My short story explored some of these concepts from the perspective of an anatomist tasked with examining a set of twisted bones returned from a disastrous archaeological excavation into an ancient limestone quarry purportedly cursed.
In a recent short story, I explored the accounts in Norse mythology about Ragnarok, the final battle fought between the giants and the gods. Similar to my recently finished draft novel Ragnarok Dreaming, this story is a retelling of battle of Ragnarok from the perspective of Loki. My research drew on the classic texts, The Poetic Edda and Prose Edda and possible motivations behind Loki’s treachery and murder of Odin’s son Baldr. The story is an account of the aftermath of Loki’s fateful actions, deceit of Baldr’s blind brother Hodr, who shoots the arrow Loki has given him, the only item in the Nine Worlds Loki knows is capable of killing Baldr. For Loki, the subsequent capture and imprisonment by the Aesir, the torture and binding underground are when the schism between Odin and Loki seems to really occur. In this story, my retelling explored what possible motivations had led Loki to murder Baldr even via a-proxy, knowing Odin’s trust in him would be broken forever. The outcome of Ragnarok had been foretold by the witch Gullveig to Odin in Loki’s presence eons before when even Odin’s considerable foresight would prove unable to avoid the fatal confrontations between foes and inevitable deaths on both sides of the battlefield. If the doom of the gods and giants had been so securely foretold, this story explored what events could have led to Loki’s irredeemable actions and final rebellion against Odin.